Der Trinker: Roman

audiobook

Der Trinker: Roman

by Katarina Botsky

DE·~3 hours·15 chapters

Chapters

15 total
1

Katarina Botsky

0:01
2

Der Trinker

0:05
3

Erstes Kapitel

29:50
4

Zweites Kapitel

27:03
5

Drittes Kapitel

10:36
6

Viertes Kapitel

15:18
7

Fünftes Kapitel

13:18
8

Sechstes Kapitel

10:00
9

Siebentes Kapitel

10:09
10

Achtes Kapitel

7:03

Description

A languid spring afternoon swirls with melancholy wind as John leans against a wagon in his father’s courtyard, his thin‑grey hair and haggard smile hinting at a life already worn by too much drink. Though only twenty‑seven, his lofty bearing and careless gestures make him seem a fallen Roman emperor, while his younger brothers watch from the window, half‑amused and half‑concerned. The scene is alive with the clatter of wooden clogs, the rasp of the old coachman Rodenberg’s voice, and a household that teeters between bitter humor and vague dread.

The Zarnosky family drifts through days of grain‑trading and idle conversation, their imagination sharp enough to carve out rumors and fantasies that often turn to trouble. John’s compulsive thirst draws Rodenberg into a ritual of fetching his “mixture,” a habit that both binds and destabilises the cramped family dynamic. Amid whispered wishes for John’s demise and the uneasy affection of a mother’s sigh, listeners are invited into a world where excess, entitlement and fragile loyalty clash on the wind‑battered courtyard.

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Details

Language

de

Duration

~3 hours (197K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

Release date

2020-08-02

Rights

Public domain in the USA.

About the author

KB

Katarina Botsky

1880–1945

A once-popular German writer from Königsberg, she is now remembered for stark, psychologically sharp stories about people pushed to the edges of ordinary life. Her work appeared for decades in the satirical magazine Simplicissimus, where she stood out as a distinctive voice of literary modernism.

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