
audiobook
by John T. (John Theodore) Slattery
E-text prepared by David Garcia, Bethanne M. Simms, and the Project Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net/)
DANTE: - "THE CENTRAL MAN OF ALL THE WORLD." - A Course of Lectures Delivered Before the Student Body of the New York State College for Teachers, Albany, 1919, 1920 - BY - JOHN T. SLATTERY, Ph.D. - WITH A PREFACE BY JOHN H. FINLEY, L.H.D. - New York P. J. Kenedy & Sons - 1920 - COPYRIGHT, 1920, BY P. J. KENEDY & SONS, NEW YORK - Printed in U.S.A.
DEDICATION
PREFACE
DANTE AND HIS TIME
DANTE THE MAN
DANTE'S INFERNO
DANTE'S PURGATORIO
DANTE'S PARADISO
These lectures invite listeners to walk alongside a seasoned guide as they step into Dante’s Inferno, Purgatorio, and Paradise for the first time. Delivered to a college of teachers in the early twentieth century, the talks blend scholarly insight with a conversational tone, making the dense medieval text feel surprisingly immediate. Listeners will discover how the poet’s vision of the soul’s struggle speaks to anyone confronting the pressures of modern life.
The speaker places Dante firmly inside the vibrant politics, religion, and art of thirteenth‑century Italy, showing why the poem still resonates today. By drawing on the admiration of figures like Emerson, Tennyson, and Gladstone, the lectures illustrate the work’s moral rigor, lyrical beauty, and timeless imagination. Listeners are invited to let the commentary deepen their own reflections, turning each canto into a mirror for personal growth.
Full title
Dante: "The Central Man of All the World" A Course of Lectures Delivered Before the Student Body of the New York State College for Teachers, Albany, 1919, 1920 A Course of Lectures Delivered Before the Student Body of the New York State College for Teachers, Albany, 1919, 1920
Language
en
Duration
~5 hours (344K characters)
Publisher of text edition
Project Gutenberg
Release date
2005-11-01
Rights
Public domain in the USA.
1866–1938
Best known for writing and lecturing on Dante, this early 20th-century scholar brought the Divine Comedy to English-speaking readers with a clear, devoted style. His work sits at the crossroads of literary study and Catholic intellectual life.
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