Continuous Vaudeville

audiobook

Continuous Vaudeville

by Will M. (Will Martin) Cressy

EN·~2 hours·31 chapters

Chapters

31 total
1

Transcriber's note

0:36
2

INTRODUCTION

1:03
3

ILLUSTRATIONS

0:33
4

THE OLD STAGE DOOR TENDER

8:20
5

IT'S HARD TO MAKE THE OLD FOLKS BELIEVE IT

5:11
6

UNION LABOR

1:39
7

MARTIN LEHMAN GOES TO NEW YORK

12:32
8

SOME HOTEL WHYS

1:22
9

IT ISN'T THE COAT THAT MAKES THE MAN

1:55
10

ONE-NIGHT-STAND ORCHESTRAS

7:59

Description

Step into a bustling backstage world where a grizzled stage‑door tender watches the endless parade of performers come and go. Through his dry, witty observations we meet a carousel of acts—hapless amateurs, seasoned schemers, and the occasional genuine talent—each captured in quick, punchy sketches that echo the chaotic rhythm of a real vaudeville house. The narrator’s humor is steady, offering sly commentary on the theatrical life while never straying far from the tender’s steady chair and his dead‑pan insistence on proper passes.

The collection rolls from the absurdities of a “Ballet of Light” to the petty power struggles between house managers and would‑be stars, all rendered in a breezy early‑20th‑century voice. Illustrations punctuate the text, giving a visual flavor to the jokes and characters. Listeners will feel the rush of a continuous show, the camaraderie of the troupe, and the quiet dignity of the man who guards the door, making it a charming snapshot of a vanished era of live entertainment.

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Details

Language

en

Duration

~2 hours (140K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chris Curnow, Carla Foust, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2009-03-14

Rights

Public domain in the USA.

About the author

Will M. (Will Martin) Cressy

Will M. (Will Martin) Cressy

1863–1930

A lively figure from the heyday of vaudeville, this American performer turned his years onstage into witty writing about popular entertainment. His work offers a firsthand glimpse of theater life in the early 1900s, full of humor and backstage detail.

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