City Crimes; Or, Life in New York and Boston

audiobook

City Crimes; Or, Life in New York and Boston

by George Thompson

EN·~11 hours·34 chapters

Chapters

34 total

City Crimes;

0:00

OR LIFE IN NEW YORK AND BOSTON. A VOLUME FOR EVERYBODY: BEING A MIRROR OF FASHION, A PICTURE OF POVERTY, AND A STARTLING REVELATION OF THE SECRET CRIMES OF GREAT CITIES

0:12

CHAPTER I

17:43

CHAPTER II

24:37

CHAPTER III

15:37

CHAPTER IV

14:23

CHAPTER V

10:51

CHAPTER VI

15:41

CHAPTER VII

32:17

CHAPTER VIII

29:52

Description

In bustling mid‑century New York, a handsome young heir named Frank Sydney reclines in his lavish hotel suite, toasting his good fortune with Madeira. Though surrounded by fashionable friends and endless champagne, he feels a restless pull toward the city’s shadows, vowing to trade idle indulgence for a mission of real charity among the destitute. His resolve is both idealistic and daring, promising a night that could redefine his purpose and expose the hollowness of his social circle.

At his grand dinner, sycophantic acquaintances shower him with hollow praise, each flattering his wealth and status while masking their self‑interest. Frank senses the deceit and plans a subtle test to separate genuine concern from false loyalty. As the evening unfolds, the glittering façade of high society begins to crack, hinting at the hidden crimes and stark poverty that pulse beneath the city’s glittering streets.

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Details

Language

en

Duration

~11 hours (641K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Suzanne Shell, Linda Hamilton and the Online Distributed Proofreading Team at https://www.pgdp.net

Release date

Jan 7, 2009

Rights

Public domain in the USA.

About the author

George Thompson

George Thompson

b. 1823

A prolific 19th-century American writer of sensational urban fiction, he helped define the "city mysteries" style with lurid, fast-moving stories set in New York and Boston. Writing at times under the pen name "Greenhorn," he aimed his work at a broad popular audience rather than the literary elite.

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