Chincha Plain-Weave Cloths

audiobook

Chincha Plain-Weave Cloths

by Lila M. (Lila Morris) O'Neale

EN·~47 minutes·11 chapters

Chapters

11 total
1

Transcriber's Note:

0:43
2

FOREWORD

0:49
3

INTRODUCTION

5:52
4

DIMENSIONS OF THE CHINCHA CLOTHS

9:57
5

YARNS

2:23
6

TEXTURES AND WEAVING TECHNIQUES

7:05
7

STITCHERY

6:15
8

PATTERN

5:48
9

COLOR

2:53
10

SUMMARY

1:56

Description

This scholarly report offers a close‑up look at the Chincha plain‑weave textiles uncovered in the early twentieth‑century Max Uhle excavations of Peru's coastal valleys. Compiled by a senior anthropology class under the guidance of the late Professor Lila M. O’Neale, the study draws on more than one hundred cloth fragments catalogued in the Museum of Anthropology’s collection. The authors describe the provenance of each piece, noting where precise burial locations are known and where records remain ambiguous.

Through detailed tables, maps, and nine illustrated plates, the researchers compare fabrics from six archaeological sites, ranging from modest scarves to large mantle‑size pieces. Their analysis suggests most of the cotton cloths served everyday, utilitarian purposes rather than ceremonial display, and even appear to have been repurposed to wrap pottery. The work provides a rare glimpse into late Chincha period material culture, blending technical textile analysis with broader archaeological context.

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Details

Language

en

Duration

~47 minutes (46K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chris Curnow, Joseph Cooper, Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2013-03-19

Rights

Public domain in the USA.

About the author

Lila M. (Lila Morris) O'Neale

Lila M. (Lila Morris) O'Neale

1886–1948

An early American anthropologist and textile historian, she helped turn the study of fabrics into a serious window onto culture, art, and daily life. Her work ranged from Native California basketry to ancient Peruvian weaving, blending close observation with a designer’s eye.

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