
HENRY EDWARD KREHBIEL
DAUGHTER HELEN
CHAPTERS OF OPERA
PREFACE
H. E. KREHBIEL.
AUTHOR'S NOTE TO THIRD EDITION
H. E. KREHBIEL.
CHAPTER I - INTRODUCTION OF OPERA IN NEW YORK
CHAPTER II - EARLY THEATERS, MANAGERS, AND SINGERS
CHAPTER III - THE FIRST ITALIAN COMPANY
A vivid, first‑hand chronicle of New York’s operatic life, this work draws on a seasoned critic’s three‑decade tenure at a leading newspaper. From the city’s modest early productions to the grand opening of the Metropolitan Opera House, the author maps the shifting tastes, managerial battles, and artistic experiments that shaped the stage. Readers will hear the clamor of rival houses, the bold experiments of foreign repertoires, and the personalities that drove the city’s musical ambitions.
Interwoven with detailed performance records, the narrative offers clear, insightful commentary on how opera moved from elite novelty to a broader cultural force. The book also captures the excitement surrounding the brief but influential Manhattan Opera House seasons, highlighting the spirited competition that spurred innovation. For anyone curious about the evolution of American operatic culture, the volume provides an engaging, well‑documented snapshot of the first quarter‑century of New York’s grand opera scene.
Full title
Chapters of Opera Being historical and critical observations and records concerning the lyric drama in New York from its earliest days down to the present time
Language
en
Duration
~14 hours (817K characters)
Publisher of text edition
Project Gutenberg
Release date
2005-05-29
Rights
Public domain in the USA.

1854–1923
A leading American music critic for more than four decades, he helped shape how concertgoers and readers in the United States heard classical music. His writing brought scholarship and strong opinions together in a way that made music history feel alive.
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