Chapters of Opera

audiobook

Chapters of Opera

by Henry Edward Krehbiel

EN·~14 hours·33 chapters

Chapters

33 total
1

HENRY EDWARD KREHBIEL

0:16
2

DAUGHTER HELEN

0:08
3

CHAPTERS OF OPERA

0:10
4

PREFACE

2:40
5

H. E. KREHBIEL.

0:03
6

AUTHOR'S NOTE TO THIRD EDITION

2:01
7

H. E. KREHBIEL.

0:03
8

CHAPTER I - INTRODUCTION OF OPERA IN NEW YORK

26:53
9

CHAPTER II - EARLY THEATERS, MANAGERS, AND SINGERS

23:05
10

CHAPTER III - THE FIRST ITALIAN COMPANY

26:35

Description

A vivid, first‑hand chronicle of New York’s operatic life, this work draws on a seasoned critic’s three‑decade tenure at a leading newspaper. From the city’s modest early productions to the grand opening of the Metropolitan Opera House, the author maps the shifting tastes, managerial battles, and artistic experiments that shaped the stage. Readers will hear the clamor of rival houses, the bold experiments of foreign repertoires, and the personalities that drove the city’s musical ambitions.

Interwoven with detailed performance records, the narrative offers clear, insightful commentary on how opera moved from elite novelty to a broader cultural force. The book also captures the excitement surrounding the brief but influential Manhattan Opera House seasons, highlighting the spirited competition that spurred innovation. For anyone curious about the evolution of American operatic culture, the volume provides an engaging, well‑documented snapshot of the first quarter‑century of New York’s grand opera scene.

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Details

Full title

Chapters of Opera Being historical and critical observations and records concerning the lyric drama in New York from its earliest days down to the present time

Language

en

Duration

~14 hours (817K characters)

Publisher of text edition

Project Gutenberg

Release date

2005-05-29

Rights

Public domain in the USA.

About the author

Henry Edward Krehbiel

Henry Edward Krehbiel

1854–1923

A leading American music critic for more than four decades, he helped shape how concertgoers and readers in the United States heard classical music. His writing brought scholarship and strong opinions together in a way that made music history feel alive.

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