
CHAPTER I. THE WAGNERIAN DRAMA: ITS PROTOTYPES AND ELEMENTS.
CHAPTER II. "TRISTAN UND ISOLDE."
CHAPTER III. "DIE MEISTERSINGER VON NÜRNBERG."
CHAPTER IV. "DER RING DES NIBELUNGEN."
CHAPTER V. "PARSIFAL."
Delve into a thoughtful examination of one of music’s most contested figures, exploring how his ambition reshaped the very heart of opera rather than music itself. The author unpacks Wagner’s self‑coined notion of the “Art‑work of the Future,” a seamless blend of poetry, score, stagecraft, and visual art, and shows why this vision stirred both awe and resistance among his contemporaries.
Drawing striking parallels to the ancient Greek stage, the narrative traces how early tragedies already fused drama and song, setting a precedent for the modern lyric drama. By juxtaposing classical precedents with Wagner’s own innovations, the book offers listeners a clear framework for appreciating the composer’s legacy without getting lost in later controversies. It’s an inviting guide that illuminates the roots of a revolutionary art form, inviting anyone curious about the crossroads of music and theater to listen with fresh perspective.
Language
en
Duration
~4 hours (267K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Andrés V. Galia, Jude Eylander, for the music files, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2020-09-09
Rights
Public domain in the USA.

1854–1923
A leading American music critic of the late 19th and early 20th centuries, he helped shape how concertgoers and readers understood opera, symphonic music, and the growing classical scene in the United States.
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