
By George Bernard Shaw
ACT I
ACT II
ACT III
ACT IV
ACT V
NOTES TO CAESAR AND CLEOPATRA - CLEOPATRA’S CURE FOR BALDNESS
A moonlit night on the Syrian edge of Egypt opens the drama, where a low mud‑brick palace buzzes with roguish soldiers, dice‑games, and bawdy stories. In the courtyard Belzafar, a scarred Roman messenger, strides in with swagger and a sheathed sword, instantly unsettling the disciplined Egyptian guard captain Belzanor and his men. Their sharp banter and the tense readiness of spears hint at an imminent clash of ambitions as Rome’s shadow stretches toward the kingdom.
Against this backdrop of humor and militaristic pride, a young, fierce Cleopatra watches the power play unfold, her sharp mind already probing the possibilities a stranger like Belzafar represents. Shaw’s witty dialogue weaves together themes of honor, destiny, and the seductive lure of political intrigue, inviting listeners to imagine how a single encounter can reshape the fates of empires. The first act sets a lively stage where wit and war march hand in hand, leaving listeners eager for the next tactical move.
Language
en
Duration
~3 hours (210K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Eve Sobol, and David Widger
Release date
2002-07-01
Rights
Public domain in the USA.

1856–1950
A razor-sharp Irish playwright and critic, he turned comedy into a tool for questioning politics, class, religion, and social habits. Best known for plays like Pygmalion and Saint Joan, he wrote with wit that still feels fresh.
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by Bernard Shaw

by Bernard Shaw

by Bernard Shaw

by Bernard Shaw

by Bernard Shaw

by Bernard Shaw

by Bernard Shaw

by Bernard Shaw