Blackwood's Edinburgh magazine, Vol. 93, No. 571, May, 1863

audiobook

Blackwood's Edinburgh magazine, Vol. 93, No. 571, May, 1863

by Various Authors

EN·~8 hours·9 chapters

Chapters

9 total
1

BLACKWOOD’S EDINBURGH MAGAZINE. No. DLXXI. MAY 1863. Vol. XCIII.

0:24
2

WILSON’S PREHISTORIC MAN.

2:21:13
3

THE LIFE OF GENERAL SIR HOWARD DOUGLAS, BART.

1:01:50
4

ITALIAN BRIGANDAGE.

38:38
5

LUDWIG UHLAND.

34:55
6

MY INVESTMENT IN THE FAR WEST.

1:09:05
7

THE LANDSCAPE OF ANCIENT ITALY, AS DELINEATED IN THE POMPEIAN PAINTINGS.

58:37
8

AMERICAN STATE PAPERS.

1:10:16
9

THE BUDGET.

32:28

Description

In this mid‑Victorian essay the reviewer introduces Wilson’s ambitious attempt to bring the distant past into the present, treating “pre‑historic man” not only as the vanished peoples of deep antiquity but also as the still‑living groups whose stone, bronze and iron tools echo ancient epochs. As a European archaeologist turned traveller, Wilson observes societies that appear to have preserved the earliest stages of civilisation, offering a rare glimpse of humanity’s formative moments while they continue to exist on the margins of the modern world.

The piece praises the book’s rich blend of hard‑won archaeological data with philosophical musings on myth, culture and the continuity of human thought. Though the prose can sometimes sway toward lecture‑hall flourish, the reviewer assures listeners that the volume brims with fascinating facts and thoughtful reflections, making it a rewarding listen for anyone curious about the roots of our species and the living traces of its earliest chapters.

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Details

Language

en

Duration

~8 hours (487K characters)

Publisher of text edition

Project Gutenberg

Credits

Richard Tonsing and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2024-01-31

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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