Birds in the Calendar

audiobook

Birds in the Calendar

by Frederick G. (Frederick George) Aflalo

EN·~1 hours·13 chapters

Chapters

13 total
1

BIRDS IN THE CALENDAR - BY F. G. AFLALO

0:54
2

THE PHEASANT

7:28
3

THE WOODCOCK

10:32
4

THE WOODPIGEON

9:23
5

BIRDS IN THE HIGH HALL GARDEN

9:22
6

THE CUCKOO

11:24
7

VOICES OF THE NIGHT

9:39
8

SWIFTS, SWALLOWS AND MARTINS

9:46
9

THE SEAGULL

11:34
10

BIRDS IN THE CORN

9:03

Description

These twelve short essays follow the calendar, pairing each month with a bird that most often calls the season its own. The author blends gentle natural history with touches of folklore and history, offering vivid portraits of creatures from the pheasant’s Roman roots to the robin’s winter song. Readers will hear the quiet rustle of a woodpigeon in March and the bright calls of swifts and swallows in July, all described with a balance of scientific observation and personal reflection.

While the pieces avoid the language of sport, they do explore the relationships between birds, landscapes, and the people who share them. Lighthearted anecdotes about hunting practices give way to deeper questions about adaptation, migration, and the ways humans have shaped avian life over centuries. The result is a seasonal walk through the British countryside that feels both scholarly and warmly accessible, perfect for listeners who love birds, history, or simply the changing rhythm of the year.

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Details

Language

en

Duration

~1 hours (115K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2008-12-09

Rights

Public domain in the USA.

About the author

Frederick G. (Frederick George) Aflalo

Frederick G. (Frederick George) Aflalo

1870–1918

Known for lively nature writing and books on angling, travel, and sport, this British author brought curiosity and firsthand experience to a wide range of subjects. His work still appeals to listeners who enjoy clear, energetic nonfiction from the late Victorian and Edwardian era.

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