
audiobook
ATHALIAH: - A Tragedy, Intended For Reading Only, Translated Into English Blank Verse, FROM RACINE, (A. Gombert's Edition, 1825,) - By J. Donkersley.
PREFACE.
HISTORICAL OUTLINE.
CHARACTERS - Joas, King of Judah, son of Ochoziah.
A T H A L I A H.
ACT FIRST.—Scene I.
Scene II.
Scene III.
Scene IV.
ACT SECOND,—Scene I. and II.
A tragic shroud rises over the sacred precincts of Jerusalem, where a queen whose lineage is stained with blood seeks to erase the last hope of the Davidic line. Athaliah, the fierce widow of Jehoram, commands the temple with ruthless authority, her presence darkening the rituals of worship. In the opening scene, the high‑priest Joad and his officer Abner confront the unsettling shift from solemn devotion to a foreboding atmosphere of dread, hinting at the brutal purge she has already begun.
Amid hurried whispers and trembling priests, a single infant—Joas—survives the queen’s murderous intent, hidden by his devoted aunt Josabet and the sanctuary’s hidden corners. The tension between piety and power builds as allies gather, each aware that the fate of a kingdom may hinge on this fragile, secreted child. Listeners will feel the weight of ancient prophecy and the relentless march of intrigue that drives the drama forward.
Full title
Athaliah: A Tragedy Intended for Reading Only, Translated Into English Blank Verse, From Racine (A. Gombert's Edition, 1825) Intended for Reading Only, Translated Into English Blank Verse, From Racine (A. Gombert's Edition, 1825)
Language
en
Duration
~1 hours (100K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Widger
Release date
Jun 29, 2007
Rights
Public domain in the USA.
Best known for an English verse translation of Jean Racine’s Athaliah, this little-documented writer appears to have worked in Huddersfield and brought a major French tragedy to Victorian readers in a form meant to be read with dramatic force.
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1639–1699
A master of French classical tragedy, this seventeenth-century playwright became famous for intense, elegant dramas built on love, duty, ambition, and ruin. His plays, especially Andromaque, Bérénice, and Phèdre, have remained central to the French stage for centuries.
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