
audiobook
ATHALIAH: - A Tragedy, Intended For Reading Only, Translated Into English Blank Verse, FROM RACINE, (A. Gombert's Edition, 1825,) - By J. Donkersley.
PREFACE.
HISTORICAL OUTLINE.
CHARACTERS - Joas, King of Judah, son of Ochoziah.
A T H A L I A H.
ACT FIRST.—Scene I.
Scene II.
Scene III.
Scene IV.
ACT SECOND,—Scene I. and II.
A tragic shroud rises over the sacred precincts of Jerusalem, where a queen whose lineage is stained with blood seeks to erase the last hope of the Davidic line. Athaliah, the fierce widow of Jehoram, commands the temple with ruthless authority, her presence darkening the rituals of worship. In the opening scene, the high‑priest Joad and his officer Abner confront the unsettling shift from solemn devotion to a foreboding atmosphere of dread, hinting at the brutal purge she has already begun.
Amid hurried whispers and trembling priests, a single infant—Joas—survives the queen’s murderous intent, hidden by his devoted aunt Josabet and the sanctuary’s hidden corners. The tension between piety and power builds as allies gather, each aware that the fate of a kingdom may hinge on this fragile, secreted child. Listeners will feel the weight of ancient prophecy and the relentless march of intrigue that drives the drama forward.
Full title
Athaliah: A Tragedy Intended for Reading Only, Translated Into English Blank Verse, From Racine (A. Gombert's Edition, 1825) Intended for Reading Only, Translated Into English Blank Verse, From Racine (A. Gombert's Edition, 1825)
Language
en
Duration
~1 hours (100K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Widger
Release date
2007-06-29
Rights
Public domain in the USA.
Best known for an English blank-verse translation of Jean Racine’s Athaliah, this elusive writer seems to have worked more as a translator and educator than as a public literary figure. Little biographical information survives, which gives the book an old-world mystery of its own.
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1639–1699
A master of French classical tragedy, his plays turn fierce emotions and impossible choices into clear, elegant drama. Best known for works like Andromaque, Britannicus, and Phèdre, he became one of the defining writers of 17th-century France.
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