
audiobook
E-text prepared by Chris Curnow and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://www.archive.org)
Art Principles - With Special Reference to Painting
Together with Notes on the Illusions Produced by the Painter
By - Ernest Govett
With Thirty-one Illustrations
G. P. Putnam's Sons New York and London The Knickerbocker Press 1919
Copyright, 1919 by ERNEST GOVETT
PREFACE
LIST OF PLATES
Art Principles
A modest yet ambitious guide, this work delves into the foundations of visual art, especially painting, by tracing how centuries‑old theories have shaped what we consider beautiful. The author acknowledges the limits of a single lifetime to capture every nuance, but offers enough insight to spark deeper inquiry into the age‑old questions of form, colour, and composition.
Interwoven with thirty‑one carefully chosen illustrations—from ancient Egyptian heads to Romantic French canvases—the text examines how artists create convincing illusion and why certain images achieve a universal appeal. Central to the discussion is the “Law of General Assent,” a principle suggesting that shared aesthetic standards arise from common human perception.
Readers are invited to follow the author's reflective journey, exploring the tension between established doctrines and fresh perspectives, and to consider how these timeless ideas continue to influence contemporary practice.
Full title
Art Principles with Special Reference to Painting Together with Notes on the Illusions Produced by the Painter Together with Notes on the Illusions Produced by the Painter
Language
en
Duration
~10 hours (598K characters)
Publisher of text edition
Project Gutenberg
Release date
Jun 14, 2011
Rights
Public domain in the USA.
Best known for a wide-ranging 1919 study of painting, this early 20th-century art writer explored how beauty, illusion, and technique work together in visual art. His work still appeals to readers who enjoy thoughtful, close-up discussions of how paintings achieve their effects.
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