
audiobook
by James Miller
The Augustan Reprint Society
Transcriber's Note: Apparent printer's errors retained.
Are these Things So?
THE GREAT MAN'S - ANSWER - TO - Are these Things So?
Are these Things So? - THE - Previous QUESTION, - FROM AN - Englishman in his GROTTO, - TO A - Great Man at COURT.
Are these Things So? - The Second Edition. - With great Additions and Corrections.
ADVERTISEMENT.
Are these Things So? - THE - Previous QUESTION, - From an Englishman in his GROTTO, - To a Great Man at COURT.
THE - GREAT MAN's - ANSWER - TO - Are these Things So?
THE - GREAT MAN'S - ANSWER - TO - Are these Things So? - IN A - DIALOGUE - BRTWEEN - His Honour and the Englishman - in His GROTTO.
In the heated autumn of 1740, London’s print shops erupted with a fierce pamphlet campaign aimed at Robert Walpole, the country’s First Minister. The opening salvo, a scathing piece masquerading as a letter from the poet Alexander Pope to the “Great Man at Court,” blazed a path for a torrent of satirical verse that mixed political invective with literary wit. Within weeks, a cascade of anonymous poems—both condemning and defending the premier—filled the streets, each one eager to outdo the last in rhetoric and rhyme.
The surviving pamphlets reveal a remarkable dialogue: four anti‑Walpole tirades and five spirited defenses, each printed, reprinted, and embellished in rapid succession. Listeners will hear how the era’s “party hacks” turned poetry into a battlefield, using satire to question power while showcasing the flexibility of eighteenth‑century verse. This audio experience offers a vivid glimpse into a moment when a single poem could ignite a public debate, illuminating the tight weave of literature and politics in a way that still resonates today.
Language
en
Duration
~1 hours (62K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Tor Martin Kristiansen, Sharon Vaninger, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
Dec 11, 2011
Rights
Public domain in the USA.
1706–1744
An English clergyman who also wrote for the stage, he built a lively second career as a playwright, poet, and librettist. His work mixed satire, comedy, and adaptation, giving him a distinctive place in 18th-century literary life.
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