
ANTIQUITÉS D'HERCULANUM.
GRAVÉES - PAR TH. PIROLI
AVEC - UNE EXPLICATION PAR S.-PH. CHAUDÉ;
ET PUBLIÉES - PAR F. ET P. PIRANESI, FRÈRES.
TOME V. - BRONZES
PLANCHE I.
PLANCHE II.
PLANCHE III.
PLANCHE IV.
PLANCHE V.
A richly illustrated study of the bronze statues unearthed at Herculaneum, this volume pairs precise engravings with scholarly commentary to bring the ancient collection to life. The plates reveal the delicate craftsmanship of each figure while the accompanying text explains the mythological identities and the symbols they bear. Readers gain a sense of how early‑nineteenth‑century scholars interpreted these works for a modern audience.
The opening sections focus on the supreme deity Jupiter, his thunderbolt and fragmented scepter rendered with a blend of restoration and imagination, then move to a series of enigmatic Etruscan‑style figures. One statue, crowned with a veil and a radiant diadem, is examined as a possible Junon holding a pomegranate, while another bears a cornucopia and a patère, inviting debate over its identity as Concordia, Pomona, or another goddess of abundance. Detailed observations of crowns, bracelets, and drapery highlight the luxurious details that signal wealth and harmony.
A highlight is the finely rendered Pallas, whose flowing folds, silver‑inlaid armor, and poised lance echo the descriptions of Pausanias. The analysis delves into her symbolic role as the embodiment of wisdom and the intellectual heritage passed down from Jupiter. Throughout, the book balances technical description with cultural context, offering listeners a vivid portrait of Herculaneum’s bronze heritage.
Language
fr
Duration
~1 hours (86K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Rénald Lévesque and Distributed Proofreaders Europe at http://dp.rastko.net. This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica)
Release date
2005-12-05
Rights
Public domain in the USA.

1752–1824
An Italian engraver and draftsman active in Rome, he became especially known for translating neoclassical designs into elegant line engravings. His work helped spread the visual language of artists such as John Flaxman to a wider European audience.
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