Antiquités d'Herculanum, Tome III. Peintures

audiobook

Antiquités d'Herculanum, Tome III. Peintures

by Tommaso Piroli

FR·~1 hours·64 chapters

Chapters

64 total

ANTIQUITÉS D'HERCULANUM.

0:01

GRAVÉES - PAR TH. PIROLI

0:01

ET PUBLIÉES - PAR F. ET P. PIRANESI, FRÈRES.

0:02

TOME III. - PEINTURES.

16:56

PLANCHE I.

1:31

PLANCHE II.

1:30

PLANCHE III.

1:01

PLANCHE IV.

0:54

PLANCHE V.

1:28

PLANCHE VI.

1:38

Description

This volume presents a carefully selected series of engraved plates that reproduce the frescoes uncovered in the Herculaneum excavations. Produced in the early nineteenth century, the images are accompanied by concise scholarly notes that explain the artistic techniques, the dimensions of each work, and the context of their discovery. The collection offers listeners a vivid glimpse of Roman wall painting before the passage of time has erased its colors.

Among the most striking scenes are a half‑clothed woman holding a golden mirror, often identified with Venus, and a rugged figure whose posture suggests the resting Vulcan of myth. Several plates depict graceful dancers draped in sheer, flowing fabrics, their attire and headpieces hinting at Bacchic rites and the celebratory atmosphere of ancient feasts. The commentary balances literal description with thoughtful interpretation, inviting the audience to imagine both the mythological stories and the intimate moments once celebrated on these walls.

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Details

Language

fr

Duration

~1 hours (104K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Carlo Traverso, Rénald Lévesque and Distributed Proofreaders Europe at http://dp.rastko.net. This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica)

Release date

2005-12-05

Rights

Public domain in the USA.

About the author

Tommaso Piroli

Tommaso Piroli

1752–1824

An Italian engraver and draftsman active in Rome, he became especially known for translating neoclassical designs into elegant line engravings. His work helped spread the visual language of artists such as John Flaxman to a wider European audience.

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