Anticipation

audiobook

Anticipation

by Richard Tickell

EN·~3 hours·9 chapters

Chapters

9 total

ANTICIPATION

0:50

FOREWORD

2:17

EDITOR’S FOREWORD

6:08

INTRODUCTION

33:30

NOTES TO THE INTRODUCTION

5:28

ADVERTISEMENT.

2:14

ANTICIPATION, &c.

1:31:45

NOTES

38:08

BIBLIOGRAPHY OF TICKELL’S WRITINGS

32:44

Description

A bright‑tongued satire from the late eighteenth century, this work skewers the pompous speeches and endless posturing of a parliamentary body that seems forever locked in self‑importance. Through a series of mock‑serious addresses, the author exposes the absurdities of legislative ritual, turning lofty rhetoric into a source of sharp, often hilariously exaggerated, commentary. The prose crackles with the wit of its era, inviting listeners to hear the clatter of political theater as if it were a lively courtroom drama.

Even today the piece feels oddly familiar, its observations on bureaucratic inertia echoing the very same patterns that surface in modern legislative chambers. While the original printing bears the rough edges of hurried presses—occasional misspellings and errant punctuation—the lively spirit of the satire shines through, offering both a historical snapshot and a timeless reminder that political folly rarely changes its costume. Listeners will enjoy the blend of historical flavor and enduring humor, presented in a format that brings the eighteenth‑century debate hall to life.

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Details

Language

en

Duration

~3 hours (204K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United States: King's Crown Press, 1778,reprint 1942.

Credits

Tim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

Release date

2022-04-20

Rights

Public domain in the USA.

About the author

Richard Tickell

Richard Tickell

1751–1793

Best remembered for sharp political wit and lively stage writing, this 18th-century English dramatist and satirist moved easily between the worlds of theater and public debate. His work captured the energy of late Georgian literary life, with satire that could be playful, pointed, and highly topical.

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