
audiobook
by Anonymous
Transcribed from the 1825 George Eyre and Andrew Strahan edition by David Price, email ccx074@pglaf.org. Many thanks to Royal Borough of Kensington and Chelsea, Local Studies and Archives, for allowing their copy to be used for this transcription.
Step back into early nineteenth‑century London with this meticulously transcribed municipal act, a snapshot of urban life when streets were still cobblestones and local governance was a matter of public debate. The document outlines how officials intended to pave, gravel, light and police the footways and carriageways around Brompton Square, while also setting up a garden and shrubbery for the neighbourhood’s enjoyment. It offers a rare glimpse into the language of the period, the bureaucratic procedures for rates, appeals and penalties, and the everyday concerns of residents who wanted cleaner, safer streets.
Listeners will hear the rhythm of formal legislative prose, peppered with specifics about watchmen uniforms, waste disposal, and even the handling of building materials. As a primary source, it captures the practical challenges of managing a growing city and the civic pride behind creating orderly, attractive public spaces. The act stands as both a legal record and a window onto the social fabric of 1820s Kensington.
Full title
An Act to Provide for the Paving, Gravelling, Lighting, and Watching Certain Footways and Carriageways in and Near Brompton Square In the Parish of Saint Mary Abbotts Kensington, in the County of Middlesex and to Provide for the Maintenance of a Garden and Shrubbery in the Said Square. In the Parish of Saint Mary Abbotts Kensington, in the County of Middlesex and to Provide for the Maintenance of a Garden and Shrubbery in the Said Square.
Language
en
Duration
~2 hours (120K characters)
Publisher of text edition
Project Gutenberg
Release date
2018-10-16
Rights
Public domain in the USA.
Some of the world’s most enduring books come from writers whose names were never recorded or never revealed. “Anonymous” on a title page can mean many different things: a lost identity, a deliberate choice, or a work shaped by tradition over time.
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