American slavery, and the means of its abolition

audiobook

American slavery, and the means of its abolition

by Jonathan Ward

EN·~54 minutes·4 chapters

Chapters

4 total
1

AMERICAN SLAVERY, AND THE MEANS OF ITS ABOLITION.

0:22
2

INTRODUCTION.

3:33
3

THE CHARACTER OF AMERICAN SLAVERY.

11:25
4

MEANS FOR ABOLISHING SLAVERY.

39:04

Description

Delivered as a public address in Plymouth, New Hampshire in 1840, this essay confronts the stark contradiction between America's lofty ideals of liberty and the reality of enslaving millions of its own people. Drawing on the writer's early exposure to William Wilberforce's anti‑slave writings, the author weaves personal observations with biblical reasoning to argue that slavery is both a moral and patriotic outrage. His vivid recollection of declining a Fourth of July celebration underscores the hypocrisy he perceives in a nation that proclaims freedom while upholding bondage.

The speaker proceeds to examine how slavery violates Christian teachings and the nation's founding principles, urging a compassionate yet firm approach to emancipation. He calls for the intellectual, moral, and religious uplift of the enslaved, proposing a gradual path toward freedom that avoids inflaming passions. Readers are invited to weigh his arguments against the “balances of the sanctuary,” making the essay a thoughtful artifact of early abolitionist discourse.

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Details

Language

en

Duration

~54 minutes (52K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United States: Perkins & Marvin, 1840.

Credits

David E. Brown and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2022-11-04

Rights

Public domain in the USA.

About the author

JW

Jonathan Ward

1769–1860

An early New Hampshire minister and abolitionist, this writer used sermons, letters, and public addresses to argue that slavery was morally wrong and had to end. His best-known work brings a plainspoken, deeply religious voice to one of the fiercest debates of 19th-century America.

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