
ACROBATS AND MOUNTEBANKS.
PREFACE.
ERRATA.
CHAPTER I. ORGANIZATION.
CHAPTER II. THE FAIR.
CHAPTER III. PERMANENT SHOWS OR ENTRESORTS.
CHAPTER IV. THE THEATRE BOOTH.
CHAPTER V. THE TRAINERS.
CHAPTER VI. THE TAMERS.
CHAPTER VII. EQUESTRIANS.
Step into the bustling fairgrounds of the nineteenth‑century, where acrobats and mountebanks—known in French as saltimbanques—leap, juggle, and hawk their wares beneath a canvas of bright tents. The author moves beyond fanciful tales, tracing the etymology of the performers’ names and uncovering their roots in medieval marketplaces where a “banc” served both as a money‑changing table and a spring‑board for daring feats. Richly illustrated with more than two hundred lithographs, the volume brings the vivid costumes, daring stunts, and colorful characters of this nomadic world to life for the listener’s imagination.
Unlike earlier pamphlets that treated the circus as mere spectacle, this study pairs careful observation with thoughtful philosophy, revealing how the modern, middle‑class acrobat resists the cheap stereotypes that bind him to the world of finance. The narrative balances scholarly detail with an accessible, almost conversational tone, offering a rare glimpse into a community that has long remained on the fringes of mainstream society. Listeners will come away with a deeper appreciation for the craft, culture, and enduring allure of the saltimbanques.
Language
en
Duration
~5 hours (316K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, RichardW, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2014-05-05
Rights
Public domain in the USA.
Subjects

1860–1925
A French journalist, travel writer, and later senator, he turned reporting into vivid books about Paris, colonial Africa, and public life in the late 19th and early 20th centuries. His work offers a revealing window into the ambitions and attitudes of France during the Third Republic.
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A 19th-century French painter and illustrator, he moved between history painting, genre scenes, and book illustration with a lively eye for drama. His work appeared regularly in Paris exhibitions, linking academic training with a taste for storytelling.
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