
audiobook
by William Andrew Chatto, Henry G. (Henry George) Bohn, John Jackson
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NOTICE TO THE SECOND EDITION.
MR. JACKSON’S PREFACE.
MR. CHATTO’S PREFACE.
This comprehensive guide traces the evolution of wood engraving from its early Renaissance roots to the bustling workshops of the nineteenth century. It blends scholarly narrative with vivid examples, drawing on the work of masters such as Dürer, Blake, and Linton, while also documenting the lively debate that once surrounded its publication. The text is organized into nine detailed chapters, each accompanied by a rich set of illustrations that bring the techniques and designs to life.
Beyond history, the book offers clear, step‑by‑step instructions for preparing blocks, transferring designs, and mastering the pressure needed for crisp lines. Readers will find practical tips on tools, ink consistency, and paper selection, all illustrated with more than three hundred engraved plates. Whether you are a seasoned printmaker or a curious newcomer, the volume serves as both reference and inspiration, illuminating the craft’s enduring appeal.
Language
en
Duration
~1 hours (66K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Louise Hope, Charlene Taylor, Google Books and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
May 16, 2013
Rights
Public domain in the USA.
Subjects
1799–1864
A lively Victorian man of letters, he moved from business into full-time writing and editing, producing books that ranged from fishing and tobacco to playing cards and wood engraving. His work has an appealing curiosity about everyday culture and the crafts behind it.
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1796–1884
Best remembered for creating Bohn’s Libraries, he helped bring classics, history, science, and other serious reading to a much wider public. His career joined rare-book dealing with ambitious, affordable publishing on a remarkable scale.
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1801–1848
A gifted British wood-engraver from Northumberland, he helped shape the look of 19th-century illustrated books and magazines. His detailed work brought stories, history, and art to a wide Victorian readership.
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