
audiobook
by William Andrew Chatto, Henry G. (Henry George) Bohn, John Jackson
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NOTICE TO THE SECOND EDITION.
MR. JACKSON’S PREFACE.
MR. CHATTO’S PREFACE.
This comprehensive guide traces the evolution of wood engraving from its early Renaissance roots to the bustling workshops of the nineteenth century. It blends scholarly narrative with vivid examples, drawing on the work of masters such as Dürer, Blake, and Linton, while also documenting the lively debate that once surrounded its publication. The text is organized into nine detailed chapters, each accompanied by a rich set of illustrations that bring the techniques and designs to life.
Beyond history, the book offers clear, step‑by‑step instructions for preparing blocks, transferring designs, and mastering the pressure needed for crisp lines. Readers will find practical tips on tools, ink consistency, and paper selection, all illustrated with more than three hundred engraved plates. Whether you are a seasoned printmaker or a curious newcomer, the volume serves as both reference and inspiration, illuminating the craft’s enduring appeal.
Language
en
Duration
~1 hours (66K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Louise Hope, Charlene Taylor, Google Books and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2013-05-16
Rights
Public domain in the USA.
Subjects
1799–1864
Best remembered for a landmark history of wood engraving, this 19th-century English writer also published under the pen name Stephen Oliver, Junior. His work ranges from literary and historical studies to practical art history, reflecting a wide curiosity about books, images, and the past.
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1796–1884
A pioneering British publisher, he helped bring history, literature, science, and classical texts to a much wider reading public. He is best remembered for Bohn's Libraries, a long-running series of affordable editions that opened serious books to general readers.
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1801–1848
Best known for helping shape the art of wood engraving in 19th-century Britain, this Northumberland-born engraver combined practical skill with a strong interest in the history of his craft. His name is especially linked with a classic study of wood engraving that was published after his death.
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