A Neta do Arcediago

audiobook

A Neta do Arcediago

by Camilo Castelo Branco

PT·~5 hours·22 chapters

Chapters

22 total
1

Notas de transcrição:

0:49
2

A NETA DO ARCEDIAGO.

0:01
3

I. UM BERÇO BORRIFADO DE SANGUE.

21:14
4

II. O FRUCTO DA SEMENTE AMALDIÇOADA.

18:01
5

III. ASSUCENA.

17:10
6

IV. CONTAGIO.

26:01
7

V. UM ANJO CAHIDO.

12:33
8

VI. ANJO CAHIDO, MAS AINDA ANJO.

20:44
9

VII. PERDIDO SEM REDEMPÇÃO

11:10
10

VIII. PROVIDENCIA OU ACASO?

20:02

Description

In the smoky night of February 1838, a striking scene unfolds before the Teatro de São Carlos in Lisbon: a young gentleman, Luiz da Cunha e Faro, leaps from a carriage beside a woman dressed in white. Luiz is described in vivid, almost baroque detail—a dark‑skinned, heavily‑bearded figure whose looks defy the conventional standards of beauty in his aristocratic circle. His mixed heritage, the secret of his mulatta mother, and the whispered rumors about his father's numerous affairs set the stage for a tale that probes the fragile pride of the Portuguese elite.

The narrative moves with a lively, slightly satirical voice, alternating between precise historical observation and the narrator’s playful asides. As Luiz navigates the courts of society and the shadows of his own identity, readers are drawn into a web of family intrigue, academic ambition, and simmering romances. The first act promises a compelling blend of social commentary and personal drama, inviting listeners to follow Luiz as he confronts the expectations that bind him.

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Details

Language

pt

Duration

~5 hours (328K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Pedro Saborano and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)

Release date

2009-08-20

Rights

Public domain in the USA.

About the author

Camilo Castelo Branco

Camilo Castelo Branco

1825–1890

A towering figure in 19th-century Portuguese literature, this fiercely productive novelist turned passion, irony, and misfortune into stories that still feel vivid today. Best known for Amor de Perdição, he wrote across romance, realism, drama, and satire with remarkable speed and intensity.

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