
A MEMOIR OF THOMAS BEWICK,
PREFACE.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
A candid portrait emerges from the pages as Thomas recounts his humble beginnings in the countryside of Northumberland. Born in 1753, his childhood was marked by schooldays in Mickley and Ovingham, early sketches of sheep and hunting parties, and a restless curiosity that turned ordinary farm scenes into subjects for his budding talent. These formative moments reveal a young man whose love of nature and keen eye for detail set the stage for a lifelong devotion to drawing.
The memoir then follows his evolution into one of England’s most original wood‑engravers, chronicling the painstaking process behind the tiny yet powerful images that would adorn his natural‑history books. Interwoven with his own engravings of birds, beasts and British fishes, Thomas reflects on the discipline, humor and pathos that shape his work. Readers gain an intimate sense of an artist who, though never a painter, captured the spirit of the countryside with a precision that still inspires students of illustration today.
Full title
A Memoir of Thomas Bewick Written by himself Written by himself
Language
en
Duration
~7 hours (449K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Barry Abrahamsen, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2019-08-09
Rights
Public domain in the USA.

1753–1828
A pioneering English wood engraver and natural history writer, he helped turn book illustration into an art form. His lively images of birds, animals, and country life made classics of works like A General History of Quadrupeds and History of British Birds.
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