A History of Wood-Engraving

audiobook

A History of Wood-Engraving

by George Edward Woodberry

EN·~4 hours·13 chapters

Chapters

13 total

0:12

PREFACE.

1:26

LIST OF ILLUSTRATIONS.

7:08

A HISTORY OF WOOD-ENGRAVING. - I. THE ORIGIN OF THE ART.

22:51

II. THE BLOCK-BOOKS.

23:01

III. EARLY PRINTED BOOKS IN THE NORTH.

28:08

IV. EARLY ITALIAN WOOD-ENGRAVING.

22:21

V. ALBERT DÜRER AND HIS SUCCESSORS.

31:27

VI. HANS HOLBEIN.

31:00

VII. THE DECLINE AND EXTINCTION OF THE ART.

22:20

Description

This volume offers a concise yet thorough survey of wood‑engraving, tracing its evolution from medieval manuscript decorations to the flourishing of the craft in the Renaissance and beyond. The author treats each major period as a mirror of the society that produced it, showing how changes in technique and subject matter reflect broader cultural shifts. Careful attention is given to disputed early origins, with clear references to the scholars whose views differ, allowing listeners to follow the ongoing debates.

The book is richly illustrated with reproductions drawn from the collections of major libraries and museums, bringing historic cuts to life for the ear. Among the images are early devotional scenes, allegorical figures, and intricate marginalia that reveal the artistry and storytelling power of the medium. A detailed list of sources at the end guides further exploration, making this an engaging companion for anyone curious about the visual language of wood‑engraving.

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Details

Language

en

Duration

~4 hours (259K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)

Release date

2012-09-01

Rights

Public domain in the USA.

About the author

George Edward Woodberry

George Edward Woodberry

1855–1930

An American poet and literary critic, he moved easily between scholarship and verse, writing with a deep love of literature and the natural world. He is especially remembered for his work on Edgar Allan Poe and for a career that linked Harvard, Nebraska, and Columbia.

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