A Book on Vegetable Dyes

audiobook

A Book on Vegetable Dyes

by Ethel Mairet

EN·~2 hours·16 chapters

Chapters

16 total

BY

0:19

PUBLISHER'S NOTE

1:58

CHAPTER I.

11:05

CHAPTER II. WOOL SILK COTTON LINEN

14:46

CHAPTER III. MORDANTS

15:02

CHAPTER IV. BRITISH DYE PLANTS

5:43

CHAPTER V. THE LICHEN DYES

18:43

CHAPTER VI. BLUE INDIGO, WOAD, LOGWOOD.

25:48

CHAPTER VII. RED. COCHINEAL, LAC-DYE, MADDER.

21:39

CHAPTER VIII. YELLOW. WELD. OLD FUSTIC. TURMERIC. QUERCITRON. DYER'S BROOM. HEATHER, AND OTHER YELLOW DYES.

16:31

Description

This lovingly researched guide resurrects the almost forgotten art of vegetable dyeing, reminding listeners of a time when colour was drawn straight from the earth. The author weaves together observations on how modern industry has swapped vibrant, often garish alternatives, and why that shift matters to everyday life. By tracing the decline of hands‑on traditions, the opening sections set a thoughtful backdrop for anyone curious about the roots of colour.

From the resilient reds of madder root to the golden tones of lichens, the book offers clear, step‑by‑step instructions that honor the patience and skill of historic dyers. It also contrasts these natural pigments with their synthetic counterparts, explaining how the latter can fade into unwanted shades while the former merely softens. Listeners will come away with both a respect for the craft’s history and practical tips to experiment with wholesome, lasting dyes in their own projects.

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Details

Language

en

Duration

~2 hours (161K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2015-09-30

Rights

Public domain in the USA.

About the author

Ethel Mairet

Ethel Mairet

1872–1952

A leading figure in Britain’s 20th-century craft revival, this hand-loom weaver helped bring weaving and natural dyeing back into everyday creative practice. Her books and teaching made a lasting impression on generations of textile artists.

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