
ANTONIO BELTRAMELLI
AI LETTORI
DOMANDO LA PAROLA...
CAPITOLO I. Qui si riprende contatto con la vecchia coorte e si ritrovano Mostardo e Rigaglia.
CAPITOLO II. Il Cavalier Mostardo prende contatto con l'aristocrazia e sogna una nobile innamorata.
CAPITOLO III. Dove Mostardo incomincia la lotta fierissima per l'Idea.
CAPITOLO IV. Il Cavalier Mostardo rientra trionfalmente fra gli eroi della Cattedra.
CAPITOLO V. Ed ecco che il buon gigante ridiventa lo zio Giovanni, nel giardino di Spadarella.
CAPITOLO VI. Qui si vede Bucalosso, dragon di Romagna.
CAPITOLO VII. E qui agisce per la prima volta la consumata Ninon Fauvétte, fior di Parigi.
A sharp, restless voice crackles through the pages as a self‑styled chronicler confronts the chaos of early‑20th‑century Italy. The narrator, Antonio, frames his tale as a “book of passion” written at the urging of the enigmatic Cavalier Mostardo, a figure who seems both mentor and provocateur. Against a backdrop of political rallies, looming war, and salon intrigue, the story weaves personal grievances, bitter humor and a relentless critique of aristocratic pretensions, while the narrator wrestles with love, shame, and his own shifting identity.
Through a series of fiery letters and public outbursts, the work lays bare the contradictions of a society caught between old‑world hierarchy and rising democratic fervor. The prose collides with raw emotion and biting satire, inviting listeners to hear a period in which ideals clash, loyalties fray, and the very notion of “the people” becomes a battlefield of words. The first act sets the stage for a clash of personalities and politics that reverberates long after the opening pages.
Language
it
Duration
~11 hours (635K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2020-06-10
Rights
Public domain in the USA.

1874–1930
Best known for vivid writing rooted in Romagna, he moved between literature and journalism with a strong feel for place, travel, and public life. His work captured both local landscapes and the restless energy of early 20th-century Italy.
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