
audiobook
by Edward Young
THE COMPLAINT: OR, NIGHT THOUGHTS. - PREFACE.
ON LIFE, DEATH, AND IMMORTALITY.
ON TIME, DEATH, AND FRIENDSHIP.
NARCISSA.
THE CHRISTIAN TRIUMPH: CONTAINING OUR ONLY CURE FOR THE FEAR OF DEATH; AND PROPER SENTIMENTS OF HEART ON THAT INESTIMABLE BLESSING.
THE CHRISTIAN TRIUMPH.
THE RELAPSE.
THE INFIDEL RECLAIMED, IN TWO PARTS; CONTAINING THE NATURE, PROOF, AND IMPORTANCE OF IMMORTALITY.
PART I.
THE INFIDEL RECLAIMED. PART I.
In the wake of the Puritan upheavals and the Restoration’s French‑inflected taste, a new native voice began to shape English poetry. This study situates Edward Young within that turbulent shift, showing how his somber imagination rose against the polished conventions of his predecessors. By tracing the cultural and religious currents of the early eighteenth century, the author reveals why Young’s verses felt both a continuation of Milton’s grandeur and a fresh, introspective hymn to mortality.
Beyond the historical backdrop, the work offers a detailed portrait of Young’s life—from his scholarly beginnings at Winchester and Oxford to his eccentric study habits and the circles that both inspired and scandalised him. Interwoven with close readings of early poems such as “The Last Day” and “The Force of Religion,” the critical dissertation provides explanatory notes that illuminate his language, theological doubts, and enduring influence. Listeners will come away with a clearer sense of why Young remains a pivotal, though often overlooked, figure in the evolution of British poetry.
Full title
Young's Night Thoughts With Life, Critical Dissertation and Explanatory Notes With Life, Critical Dissertation and Explanatory Notes
Language
en
Duration
~8 hours (504K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Delphine Lettau, Stephen Hutcheson, and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2010-07-14
Rights
Public domain in the USA.

1683–1765
Best remembered for the haunting poem Night Thoughts, this 18th-century English writer brought grief, faith, and mortality into some of the most widely read verse of his age. He was also a dramatist and Church of England clergyman whose work reached well beyond his own century.
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