
audiobook
BY - JOSEPH ROCCHIETTI
NEW YORKPRINTED BY J. W. KELLEY, 424 BROADWAY1845.
WHY - A NATIONAL LITERATURE - CANNOT FLOURISH - IN THE - UNITED STATES OF NORTH AMERICA.
CHAPTER I. - THE PEOPLE OF THE UNITED STATES IS NOT A NEW PEOPLE.
CHAPTER II. - THE PRESENT FASHIONABLE LITERATURE IS UNWORTHY OF THIS GREAT NATION.
CHAPTER III. - THE AMERICAN LITERATURE IS RATHER TOO MUCH MIXED WITH THE BELIEF OF DIFFERENT RELIGIOUS FAITHS.
CHAPTER IV. - OF NEWSPAPERS.
CHAPTER V. - OF TOURISTS IN FOREIGN COUNTRIES.
CHAPTER VI. - AMERICAN THEATRES.
CHAPTER VII. - POLITICS AND LAWS.
A mid‑nineteenth‑century essay sets out to prove that the United States, though young in geography, is not a literary newborn. Its author argues that America inherits the languages, laws, and artistic traditions of Europe, and therefore should be able to nurture its own “classics” rather than be dismissed as merely a land of facts. The opening sections confront the myth that a nation must age before its writers can achieve greatness, insisting that the real obstacle lies in cultural habits and shallow tastes.
The work then surveys the country's press, travel literature, theatres, politics, religion, and even copyright practices, showing how fashionable but superficial writing crowds out serious talent. By demanding higher standards and a return to timeless literary ideals, the author urges readers to imagine a robust, uniquely American voice that can stand beside the great European traditions. This thoughtful critique offers a snapshot of the cultural anxieties and ambitions of a nation on the brink of literary self‑definition.
Language
en
Duration
~2 hours (152K characters)
Publisher of text edition
Project Gutenberg
Credits
Ralph Janke and the Online Distributed Proofreading Team at https://www.pgdp.net. (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
2010-03-25
Rights
Public domain in the USA.
An early Italian-American voice, he is best known for Lorenzo and Oonalaska from 1835, often noted as the earliest known novel by an Italian-American. His work bridges Europe and the United States, with stories shaped by migration, politics, and the literary ambitions of the 19th century.
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