
WATTS (1817-1904) - BY W. LOFTUS HARE
MASTERPIECES IN COLOUR - EDITED BY T. LEMAN HARE
LIST OF ILLUSTRATIONS
I. A BIOGRAPHICAL OUTLINE
II. THE MAN AND THE MESSENGER
III. A REVIEW OF WATTS' WORK
Through a vivid combination of narrative and colour plates, this volume invites listeners into the world of a nineteenth‑century English painter whose ambition was to give history a visual voice. Beginning with his breakthrough in 1843, when a modest prize for a cartoon of Caractacus sent him to Italy, the story follows his early portrait work and the formative encounters with the masters of Florence that reshaped his style.
The book is anchored by high‑quality reproductions of Watts’s most celebrated canvases, from the haunting “Death Crowning Innocence” to the allegorical “Minotaur,” each accompanied by concise commentary that reveals the artist’s preoccupation with mortality, morality and the modern world. Readers also enjoy a biographical outline that places his later ambitions, such as the epic “Alfred inciting the Saxons,” within the broader currents of Victorian art, offering both visual delight and insight into a creator whose reputation grew long after his own lifetime.
Language
en
Duration
~1 hours (66K characters)
Publisher of text edition
Project Gutenberg
Release date
Sep 17, 2004
Rights
Public domain in the USA.
1868–1943
A thoughtful early-20th-century writer who moved easily between religion, philosophy, and social questions, he brought a wide-ranging curiosity to everything from art criticism to comparative religion. He is especially remembered for work connected with Theosophy, Quaker thought, and the study of living faiths.
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