
PREFACE
INTRODUCTION
CHAPTER I THE MAN - I
CHAPTER II THE ARTIST IN THEORY - I
CHAPTER III THE ARTIST IN PRACTICE - I—THE EARLY MISCELLANEOUS WORKS
APPENDIX A THE RACIAL ORIGIN OF WAGNER
APPENDIX B WAGNER AND SUPER-WAGNER
SYNTHETIC TABLE OF WAGNER'S LIFE AND WORKS AND SYNCHRONOUS EVENTS
INDEX
This study invites listeners into the complex world of one of classical music’s most polarising figures, presenting him not as a distant legend but as a human being shaped by his own writings and correspondence. Drawing on thousands of letters, his autobiography, and his theoretical essays, the author reconstructs Wagner’s personality, politics, and artistic ambitions without attempting a full biography. The approach balances scholarly rigor with clear, accessible narration, making the material suitable for both seasoned Wagnerans and newcomers.
In addition to probing his philosophical and musical ideas, the book examines how his early unpublished operas and later masterpieces reflect evolving concepts of drama and myth. Original German texts are translated directly, allowing listeners to hear the nuances that often get lost in secondary literature. By the end of the first act, you’ll have a richer sense of the forces that drove Wagner’s genius and the controversies that still surround his legacy.
Language
en
Duration
~13 hours (757K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Andrés V. Galia, Chris Curnow, Jude Eylander, Jane Robins, HathiTrust Digital Library for the missing pages, Sharon at DP for solving the problem created by the missing pages and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2018-10-10
Rights
Public domain in the USA.

1868–1959
Best known as one of Britain’s most influential music critics, he wrote with unusual clarity and independence, helping generations of readers think more deeply about composers and performance. His books on Wagner and other major figures made serious music writing feel vivid and approachable.
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