
audiobook
YSAYE'S REPERTORY
THE TOOLS OF VIOLIN MASTERY
VIOLIN MASTERY
VIOLIN MASTERY - EUGÈNE YSAYE - THE TOOLS OF VIOLIN MASTERY
II. LEOPOLD AUER - A METHOD WITHOUT SECRETS
III. EDDY BROWN - HUBAY AND AUER: TECHNIC: HINTS TO THE STUDENT
IV. MISCHA ELMAN - LIFE AND COLOR IN INTERPRETATION. TECHNICAL PHASES
V. SAMUEL GARDNER - TECHNIC AND MUSICIANSHIP
VI. ARTHUR HARTMANN - THE PROBLEM OF TECHNIC
VII. JASCHA HEIFETZ - THE DANGER OF PRACTICING TOO MUCH. TECHNICAL MASTERY AND TEMPERAMENT
A rare gathering of voice‑to‑voice conversations, this volume invites listeners into the private studios of the violin world’s most celebrated performers and teachers. Each master speaks candidly about the foundations of artistry—tone, bow control, phrasing, and the mental attitudes that turn technique into music. The interviews are organized by theme, so the listener can trace a clear line from early exercises to the subtleties of interpretation, all presented in the relaxed, conversational style of the original dialogues.
Among the featured speakers are the legendary Belgian virtuoso whose breadth of repertoire still sets a benchmark, a pedagogical giant who framed a method without hidden formulas, and a famed soloist warning against the perils of over‑practice. Other contributors discuss bowing nuances, quartet rehearsals, and the role of the teacher’s philosophy. Whether you are a student, a teacher, or simply an admirer of the instrument, the book offers timeless, practical insights that illuminate how true violin mastery is cultivated.
Language
en
Duration
~5 hours (323K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Juliet Sutherland, Peter Barozzi and the Online Distributed Proofreading Team.
Release date
2005-04-04
Rights
Public domain in the USA.
1874–1932
A music critic, translator, and editor with a strong voice in early 20th-century musical life, he wrote widely about composers and performance at a time when concert culture was rapidly changing. His work still turns up in libraries and archives for readers interested in how classical music was explained to the public a century ago.
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