Victor Hugo

audiobook

Victor Hugo

by Théophile Gautier

FR·~5 hours·52 chapters

Chapters

52 total
1

I. 1830

9:35
2

II. LE GILET ROUGE

12:26
3

III. LA PRÉSENTATION

6:37
4

IV. UN BUSTE DE VICTOR HUGO

3:19
5

V. LA PLACE ROYALE

1:24
6

VI. LA PREMIÈRE D'HERNANI

21:17
7

VII. PROCÈS DE VICTOR HUGO - CONTRE LA COMÉDIE-FRANÇAISE

2:24
8

VIII. REPRISE D'HERNANI PAR AUTORITÉ DE JUSTICE

7:41
9

IX. DÉBUTS DE MADEMOISELLE EMILIE GUYON DANS HERNANI

4:38
10

X. REPRISE D'HERNANI

2:10

Description

The opening transports listeners to the feverish spring of 1830, when French culture seemed to burst into a riot of colour and verse. Young artists crowd cramped ateliers, their palettes daringly bright, while the old guard huffs at “savage” strokes and stale classicism. In this charged atmosphere the narrator, still undecided about a literary destiny, first steps into the studio of Rioult, eager to taste the new lyrical air that promises a rebirth of poetry. The narrative swirls with references to Chateaubriand, Walter Scott, Goethe and Byron, sketching the fierce excitement that fuels a generation hungry for fresh myths.

Soon the voice turns to Victor Hugo, whose soaring verses are described as the missing wings that lift Romantic dreams into the sky. The passage conveys a palpable clash between conservative journals and the fiery enthusiasm of budding romantics, who see Hugo’s work as a beacon against stifling tradition. Listeners are invited to feel the youthful longing for artistic freedom and the looming struggle that will shape the narrator’s path, setting the stage for an immersive journey through the birth of modern French poetry.

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Details

Language

fr

Duration

~5 hours (291K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Laura Natal Rodriguez and Marc D'Hooghe (Images generously made available by the Hathi Trust.)

Release date

2016-05-03

Rights

Public domain in the USA.

About the author

Théophile Gautier

Théophile Gautier

1811–1872

A vivid voice of 19th-century French literature, this poet, novelist, and critic helped shape the idea of “art for art’s sake.” His writing moves easily from lush fantasy and historical fiction to sharp art criticism and travel writing.

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