
audiobook
VALENTINE and ORSON,
To CHARLES FARLEY.
CHARACTERS.
ACT I. - SCENE I.—A long Perspective of the Suburbs of Orleans, terminating with the ancient City Gates— On one Side a Convent, the Windows of which are illuminated from within—The Stage is at first dark, which gives Effect to the Transparency of the Windows—As the Curtain rises slowly, the following choral Chaunt, accompanied by the Organ, is heard from the Interior of the Monastery.
GRAND MARCH.
ACT II. - SCENE I.—A Court-Yard of the Palace at Orleans—(Phillips.)— in front a pair of great Gates, with Posts before them, and a Chain across from one to the other.
TRANSCRIBER'S NOTES.
The curtain rises on the mist‑shrouded suburbs of Orleans, where the distant glow of a convent’s windows hints at a world of devotion and intrigue. A chorus of monks and nuns fills the air with a solemn chant, while townsfolk bustle beneath the city gates, their voices swelling with anticipation of the returning king. Amid this bustling tableau we meet Valentine, a foundling celebrated for his battlefield valor, and Orson, a wanderer whose reputation precedes him. Their lives are set to intersect against a backdrop of royal pageantry and whispered legends.
As the king’s procession draws near, the crowd’s excitement turns to curiosity about Valentine’s mysterious origins and the fierce reputation of the Saracen‑slaying swordsman Hugo, who boasts the very blade Valentine wielded. Hugo’s boastful banter awakens old rumors of a hidden lineage and a forgotten prophecy that may bind the foundling’s fate to the kingdom’s future. Listeners are drawn into the growing tension between duty, love, and the wild freedom embodied by Orson, setting the stage for a drama where romance and adventure clash beneath the looming cathedral bells.
Full title
Valentine and Orson: A Romantic Melo-Drame As Performed at the Theatre-Royal Covent-Garden As Performed at the Theatre-Royal Covent-Garden
Language
en
Duration
~42 minutes (40K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Emmanuel Ackerman and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2015-04-12
Rights
Public domain in the USA.

1771–1841
A lively force in Georgian theater, this English dramatist and songwriter helped shape popular stage entertainment with comic operas, pantomimes, and songs that drew big audiences. He also left behind vivid memoirs that offer a firsthand glimpse of London’s theatrical world.
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