
audiobook
EERSTE HOOFDSTUK. - „Voor vijf ton is het jou.”
TWEEDE HOOFDSTUK. - Jozef en zijne vijanden.
DERDE HOOFDSTUK. - Na het Oproer.
VIERDE HOOFDSTUK. - Mama Tjang.
VIJFDE HOOFDSTUK. - „Wel, die tante Clara!”
ZESDE HOOFDSTUK. - Steken onder water.
ZEVENDE HOOFDSTUK. - Lieve jongens!
ACHTSTE HOOFDSTUK. - Mevrouw Uhlstra naar Koeningan.
NEGENDE HOOFDSTUK. - Tante Jansen.
TIENDE HOOFDSTUK. - Pessimistische Overdenkingen.
In the waning light of a moonlit evening on a Java plantation, Mrs. Uhlstra and her grown daughters drift through the familiar rhythm of social visits and lively gatherings. Their world is a network of neighboring estates linked by a narrow river, where long‑standing friendships are celebrated with grand fêtes and occasional quarrels over trivial matters. The patriarch, a vigorous man in his fifties, has just overseen the construction of a new, open‑handed house that welcomes friends, strangers, and the occasional itinerant guest.
A letter from his son Henri arrives, detailing the day‑to‑day business of coffee harvests, livestock, and the upkeep of the sprawling property. While the family basks in the comfort of their wealth, a weary guest named Geber, recently returned from the city after a bout of illness, watches the patriarch with a mixture of curiosity and skepticism. Their quiet exchange hints at underlying tensions about the future of the estate and the shifting balance between colonial prosperity and the pull of urban life, setting the stage for the choices that will shape their days ahead.
Language
nl
Duration
~11 hours (690K characters)
Publisher of text edition
Project Gutenberg
Original publisher
Netherlands: Loman & Funke, 1893.
Credits
Jeroen Hellingman and the Online Distributed Proofreading Team at https://www.pgdp.net/ for Project Gutenberg (This book was produced from scanned images of public domain material from the Google Books project.)
Release date
2022-09-24
Rights
Public domain in the USA.
1849–1898
A sharp-eyed journalist turned novelist, he brought life in the Dutch East Indies onto the page with wit, realism, and a strong feel for everyday human weakness. His stories first reached readers as newspaper serials, which helped make them vivid, fast-moving, and widely read.
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