Über die Schönheit häßlicher Bilder. Ein Vademecum für Romantiker unserer Zeit

audiobook

Über die Schönheit häßlicher Bilder. Ein Vademecum für Romantiker unserer Zeit

by Max Brod

DE·~4 hours·36 chapters

Chapters

36 total
1

Anmerkungen zur Transkription:

0:21
2

Über die Schönheit häßlicher Bilder Ein Vademecum für Romantiker unserer Zeit

0:18
3

Inhalt

0:00
4

Über die Schönheit häßlicher Bilder

11:32
5

Gegen moderne Möbel

15:36
6

Der Frauen-Nichtkenner

5:53
7

Der allerletzte Brief - 1. Der Brief.

8:34
8

Zufällige Konzerte

7:19
9

Mein Tod

11:58
10

Unter Kindern

7:23

Description

A wanderer wanders through a Viennese exhibition, letting the warm draft from a brass‑heating coil stir memories of a time when art felt like a secret society of the absurd. He describes a hall crowded with uneven canvases, clumsy angels, flamboyant knights and strangers from distant lands, each piece more oddly beautiful than the last. In this playful prose, the narrator revels in the “beauty of ugly pictures,” suggesting that the truly striking works are those that defy polished expectations.

The voice flits from sighing poets to dusty monks, from rust‑colored swords to neon‑hued clouds of raspberry lemonade, sketching a world where irony wears a silk‑lined coat. With a gentle, mocking tone, the writer invites listeners to consider why tidy, “serious” images often feel constraining, while the imperfect, the garish, and the whimsical awaken a more honest delight. It’s a witty, meandering meditation—part satire, part love letter—to the unexpected charm hidden in every off‑beat brushstroke.

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Details

Language

de

Duration

~4 hours (276K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jana Srna, Norbert H. Langkau and the Online Distributed Proofreading Team at https://www.pgdp.net

Release date

2011-08-11

Rights

Public domain in the USA.

Subjects

About the author

Max Brod

Max Brod

1884–1968

A prolific Prague-born writer, critic, and composer, he is remembered both for his own work and for preserving Franz Kafka’s. After fleeing Nazi-occupied Czechoslovakia in 1939, he continued his literary and cultural life in Tel Aviv.

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