
AMS PRESS, INC. - NEW YORK - 1966
NOTE
PREFACE
CHAPTER I - Introduction
CHAPTER II - Hölderlin
CHAPTER III - Lenau
CHAPTER IV - Heine
CHAPTER V - Bibliography - General
This compact study invites listeners to explore the subtle mood known as Weltschmerz, a heightened sensitivity to the world’s sorrow that runs deeper than ordinary pessimism. By drawing on psychology, philosophy, and close literary analysis, the author maps the emotional terrain that shaped German poetry from the era of “Werther” onward. The introduction sets the stage for a thoughtful examination of how personal feeling and cultural context intertwine in artistic expression.
The heart of the work turns to three emblematic poets, each illustrating a distinct facet of Weltschmerz. The idealist vision of Hölderlin, the aching self‑consciousness of Lenau, and Heine’s wry, satirical mask reveal a progression from naïve yearning to ironic concealment. Through careful comparison, the essay shows how these voices echo broader mental and social currents while remaining uniquely resonant, offering a nuanced guide to listeners interested in the psychology of literature.
Language
en
Duration
~2 hours (169K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Starner, Ralph Janke and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
Dec 21, 2005
Rights
Public domain in the USA.
b. 1873
Best known for a scholarly study of German poetry, this early-20th-century writer explored the idea of Weltschmerz—a mood of world-weariness and emotional longing—with close attention to poets such as Hölderlin, Lenau, and Heine.
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