
To Him That Hath - By LEROY SCOTT - Author of "The Walking Delegate"
PRINCIPAL CHARACTERS
BOOK I - THE HIGHEST PRICE
CHAPTER I - AN INJUSTICE OF GOD
CHAPTER II - WHAT DAVID FOUND IN MORTON'S CLOSET
CHAPTER III - THE BARGAIN
BOOK II - THE CLOSED ROAD
CHAPTER I - DAVID RE-ENTERS THE WORLD
CHAPTER II - A CALL FROM A NEIGHBOUR
CHAPTER III - THE SUPERFLUOUS MAN
When a close friend and the head of a modest urban mission dies unexpectedly, author‑turned‑caretaker David Aldrich is thrust into a world of cramped tenements, quiet chapels, and the tangled lives of those who rely on the institution. He arrives at St. Christopher’s Mission bearing the weight of grief and a sudden responsibility for the Reverend’s affairs, only to find the place buzzing with a mix of earnest volunteers, hardened financiers, and strangers whose fates intersect in surprising ways. The novel opens with David’s uneasy reunion with Helen Chambers, the daughter of a powerful money‑lender, whose poised yet compassionate presence hints at the delicate balance between charity and ambition.
Against the backdrop of early‑20th‑century New York, the story follows David as he navigates the moral complexities of poverty relief, the hidden struggles of the mission’s residents, and the subtle power plays of figures like the mayor and a rising lawyer. Through vivid scenes of bustling club‑houses, quiet prayer rooms, and the stark realities of the city’s underbelly, the narrative asks how far one will go to honor a friend’s legacy while confronting a society that often deems the needy “ugly” and unforgivable.
Language
en
Duration
~9 hours (546K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by D Alexander, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2012-10-26
Rights
Public domain in the USA.

1875–1929
A novelist, journalist, and screenwriter, he brought sharp social awareness to popular fiction in the early 1900s. His stories often mix big-city drama with a strong interest in labor, politics, and ordinary people under pressure.
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