No. 13 Washington Square

audiobook

No. 13 Washington Square

by Leroy Scott

EN·~5 hours·31 chapters

Chapters

31 total
1

"I NEVER SUSPECTED I'D END IN SUCH A LITTLE BLAZE" (p. 48)

0:03
2

NO. 13 - WASHINGTON - SQUARE - BY LEROY SCOTT - 1914

0:40
3

ILLUSTRATIONS

0:16
4

NO. 13 - WASHINGTON SQUARE - CHAPTER I - THE GREAT MRS. DE PEYSTER

22:39
5

CHAPTER II - ENTER AN AMIABLE YOUNG GENTLEMAN

17:36
6

CHAPTER III - MISTRESS OF HER HOUSE

21:16
7

CHAPTER IV - A SLIGHT PREDICAMENT

16:08
8

CHAPTER V - THE HONOR OF THE NAME

14:25
9

CHAPTER VI - BEHIND THE BLINDS

16:35
10

CHAPTER VII - NOT IN THE PLAN

13:00

Description

In a sun‑dappled sitting‑room on Washington Square, the great Mrs. De Peyster presides over a modest fire, her hands steady as she transfers priceless jewels into leather cases. Though sixty and born of old New York aristocracy, she carries a dignity that seems to defy age. Yet beneath her composed exterior the quiet hum of unresolved family business lingers, hinting at secrets long kept.

A young, timid lady named Miss Gardner arrives at the doorway, summoned to make inquiries about Mrs. De Peyster’s estranged son. An amiable gentleman soon enters, offering a courteous distraction while the household whispers of a recent, puzzling blaze that seemed too small to be accidental. The contrast between genteel propriety and the undercurrent of unease sets the stage for a delicate dance of loyalty, love, and hidden agendas.

As the characters navigate social obligations and whispered conspiracies, listeners will be drawn into the layered world of early twentieth‑century Manhattan, where every gesture may conceal a motive. The story promises an unraveling of identity and family ties, all framed by the charm of a house that seems both sanctuary and stage.

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Details

Language

en

Duration

~5 hours (345K characters)

Publisher of text edition

Project Gutenberg

Release date

2004-10-24

Rights

Public domain in the USA.

About the author

Leroy Scott

Leroy Scott

1875–1929

A novelist, journalist, and screenwriter, he brought sharp social awareness to popular fiction in the early 1900s. His stories often mix big-city drama with a strong interest in labor, politics, and ordinary people under pressure.

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