
TADAIMA
IMPRIMIS
NIPPON DENJI
I NIPPON DENJI
THE FLYING OF THE AUGUST CARP
IITHE FLYING OF THE AUGUST CARP
A GOOD LIE
IIIA GOOD LIE
YET—A LIE LOOSENS FEALTY
IVYET—A LIE LOOSENS FEALTY
The narrator stands at his desk, manuscript wrapped, and summons the bronze god Asamra, a deity who only speaks once a millennium. What begins as a nervous plea for approval quickly turns into a lively debate over the very shape of a dash, the expectations of editors, and the balance between authorial freedom and reader obedience. Through rapid back‑and‑forth, the god offers sarcastic counsel, comparing dashes to a restaurant’s hidden ingredients and warning that publishers will fill in any gap you leave.
The opening unfolds as a witty, meta‑fictional treatise on writing itself, peppered with jokes about grammar, the absurdity of literary criticism, and the strange authority we grant to invisible reviewers. Listeners are invited into a conversation that feels part classroom, part comedy club, and wholly reflective of the creative tension between art and commerce. It’s a clever, tongue‑in‑cheek exploration that promises both laughs and thoughtful glimpses into the craft of storytelling.
Language
en
Duration
~3 hours (206K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
2010-09-03
Rights
Public domain in the USA.
Subjects

1861–1927
Best known for the story that inspired Madama Butterfly, this American lawyer-turned-writer brought courtroom polish and a taste for drama to his fiction. His work helped shape one of the most famous tragic heroines in modern culture.
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