
TADAIMA
IMPRIMIS
NIPPON DENJI
I NIPPON DENJI
THE FLYING OF THE AUGUST CARP
IITHE FLYING OF THE AUGUST CARP
A GOOD LIE
IIIA GOOD LIE
YET—A LIE LOOSENS FEALTY
IVYET—A LIE LOOSENS FEALTY
The narrator stands at his desk, manuscript wrapped, and summons the bronze god Asamra, a deity who only speaks once a millennium. What begins as a nervous plea for approval quickly turns into a lively debate over the very shape of a dash, the expectations of editors, and the balance between authorial freedom and reader obedience. Through rapid back‑and‑forth, the god offers sarcastic counsel, comparing dashes to a restaurant’s hidden ingredients and warning that publishers will fill in any gap you leave.
The opening unfolds as a witty, meta‑fictional treatise on writing itself, peppered with jokes about grammar, the absurdity of literary criticism, and the strange authority we grant to invisible reviewers. Listeners are invited into a conversation that feels part classroom, part comedy club, and wholly reflective of the creative tension between art and commerce. It’s a clever, tongue‑in‑cheek exploration that promises both laughs and thoughtful glimpses into the craft of storytelling.
Language
en
Duration
~3 hours (206K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
Sep 3, 2010
Rights
Public domain in the USA.
Subjects

1861–1927
Best known for the story that became the seed of Puccini’s Madama Butterfly, this American lawyer-writer turned a family anecdote into one of the most famous cross-cultural tragedies in modern literature and opera.
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