The Voice in Singing

audiobook

The Voice in Singing

by Emma Seiler

EN·~3 hours·10 chapters

Chapters

10 total

Transcriber’s Note.

0:48

The Voice in Singing

0:08

TRANSLATOR’S PREFACE

3:59

INTRODUCTION

4:44

I VOCAL MUSIC ITS RISE, DEVELOPMENT AND DECLINE

25:02

II PHYSIOLOGICAL VIEW FORMATION OF SOUND BY THE ORGAN OF THE HUMAN VOICE

55:07

III PHYSICAL VIEW FORMATION OF SOUNDS BY THE VOCAL ORGAN

1:12:01

IV THE ÆSTHETIC VIEW OF THE ART OF SINGING

56:23

APPENDIX - STRUCTURE OF THE VOCAL ORGANS

1:05

Transcriber’s Note.

1:21

Description

This revised edition presents a rare 19th‑century exploration of how the human voice works, weaving together the rigor of physiological science with the subtleties of vocal artistry. The author’s meticulous observations are rendered in a modern, listener‑friendly pitch system, and detailed illustrations of the larynx are linked for deeper study. Readers will discover how the work bridges the gap between abstract acoustic theory and practical singing technique, offering a clear guide for anyone curious about the mechanics behind tone and timbre.

At the heart of the book is the pioneering research of a distinguished vocal instructor whose studies earned praise from leading scientists of her day. Her use of the laryngoscope unveiled the inner movements that create different vocal registers, shedding light on the elusive “head tones” that singers strive to master. Endorsed by eminent physiologists, the text remains a valuable resource for singers, teachers, and anyone fascinated by the blend of art and anatomy that gives voice its power.

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Details

Language

en

Duration

~3 hours (211K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Newman, Daniel Emerson Griffith and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2013-02-12

Rights

Public domain in the USA.

Subjects

About the author

Emma Seiler

Emma Seiler

1821–1887

A pioneering 19th-century voice teacher, scientist, and writer, she explored singing as both an art and a subject for careful study. Her work helped shape early voice pedagogy by connecting musical expression with anatomy and acoustics.

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