The Turn of the Road A Play in Two Scenes and an Epilogue

audiobook

The Turn of the Road A Play in Two Scenes and an Epilogue

by Rutherford Mayne

EN·~1 hours·6 chapters

Chapters

6 total

THE TURN OF THE ROAD. A PLAY IN TWO SCENES AND AN EPILOGUE. BY RUTHERFORD MAYNE. MAUNSEL & CO., Limited, DUBLIN. 1907.

0:43

To LEWIS PURCELL - In remembrance of his kindly aid and criticism.

0:04

THE TURN OF THE ROAD. - SCENE I.

32:45

SCENE II.

35:46

EPILOGUE.

3:04

PRESS OPINIONS OF PERFORMANCES.

2:50

Description

In a modest kitchen on a summer evening in County Down, a farmer’s family gathers around the glowing turf fire. Mrs. Granahan worries about her son Robbie’s endless fiddling, while her daughter Ellen quietly champions his musical gift. Their grandfather, a pipe‑smoking presence, offers gentle counsel, and the daily rhythm of farm life drifts through the conversation—cattle wandering, a neighbor’s complaints, and the hopeful chatter about a creamery contract.

The play captures the tension between tradition and aspiration, as the household balances the practical demands of farming with the stirrings of artistic ambition. Robbie’s reluctant steps between music and duty, the parents’ pragmatic concerns, and the simmering community disputes provide a warm, slice‑of‑life portrait of rural Ireland at the turn of the twentieth century. Listeners will feel the crackle of the hearth, hear the faint strains of a fiddle, and be drawn into the family’s quiet struggles and quiet joys.

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Details

Full title

The Turn of the Road A Play in Two Scenes and an Epilogue A Play in Two Scenes and an Epilogue

Language

en

Duration

~1 hours (72K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Audrey Longhurst and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

Jan 23, 2010

Rights

Public domain in the USA.

About the author

RM

Rutherford Mayne

1878–1967

Best known as the pen name of Samuel John Waddell, this Irish playwright helped shape the early Ulster Literary Theatre with lively, observant dramas rooted in everyday life. His work mixed humor, stagecraft, and a close ear for Ulster speech.

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