
THE TALKING HORSE - AND OTHER TALES
PREFACE
THE TALKING HORSE
THE GOOD LITTLE GIRL - A STORY FOR CHILDREN
A MATTER OF TASTE - PART I
DON; THE STORY OF A GREEDY DOG - A TALE FOR CHILDREN
TAKEN BY SURPRISE - BEING THE PERSONAL STATEMENT OF BEDELL GRUNCHER, M.A.
PALEFACE AND REDSKIN - A COMEDY-STORY FOR GIRLS AND BOYS - ACT THE FIRST - WHERE IS THE ENEMY?
ACT THE SECOND - WHERE IS THE ARMY?
ACT THE THIRD - WHERE IS THE GENERAL?
On a drearily wet July afternoon at the bustling Sandown Park, a weary traveler finds his attention snagged by an odd fellow on the train. Dressed in an absurdly horse‑themed outfit—tight trousers, a hunting hat, and a coat that seems more costume than coat—this man wanders the racecourse with a shy, self‑effacing air that sparks both compassion and curiosity. The narrator, intrigued by the stranger’s incongruous appearance, follows him through the rain‑soaked crowd, noting his avoidance of the bookmakers and his odd, solitary behavior near the finishing stand.
When they finally speak, the conversation turns to the man’s former life as a constant rider on Rotten Row, a world he appears to have left behind after a sudden, unsettling incident. He hints at a lingering “shock” that has kept him from the saddle, and, with a mixture of humility and intrigue, invites the narrator to hear the full story over dinner. The promise of a personal tale of loss, identity, and the lingering pull of a forgotten passion sets the stage for a quietly compelling narrative.
Language
en
Duration
~7 hours (431K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Clarke, Martin Pettit and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2008-11-16
Rights
Public domain in the USA.

1856–1934
Best known for the comic fantasy Vice Versa, this Victorian writer delighted readers with clever role reversals, magical mix-ups, and sharp social humor. He also became a familiar literary voice through decades of work for Punch magazine.
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