The Standard Cantatas: Their Stories, Their Music, and Their Composers A Handbook

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The Standard Cantatas: Their Stories, Their Music, and Their Composers A Handbook

by George P. (George Putnam) Upton

EN·~8 hours·5 chapters

Chapters

5 total

THE Standard Cantatas THEIR STORIES, THEIR MUSIC, AND THEIR COMPOSERS

0:17

PREFACE.

3:28

THE STANDARD CANTATAS.

7:47:28

APPENDIX.

16:32

INDEX.

3:30

Description

An engaging guide to the cantata, this handbook opens with a clear, concise history that traces the form from its early Italian roots through its gradual expansion into the dramatic, opera‑like structures heard today. The author explains how the genre has shifted from simple recitative and aria to elaborate vocal symphonies, all without demanding technical jargon. Readers discover why works such as “Damnation of Faust” and the “Romeo and Juliet” vocal symphony occupy a special place even when they stretch the traditional definition.

The book then offers brief, vivid sketches of dozens of notable cantatas, pairing each musical summary with the story that inspired it and a compact biography of its composer. Particular attention is given to American contributions, highlighting pieces that have helped define a distinctive national voice. An extensive appendix supplies carefully verified dates, making this volume a handy reference for anyone who enjoys learning about the music that lives onstage without scenery or costumes.

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Details

Full title

The Standard Cantatas: Their Stories, Their Music, and Their Composers A Handbook A Handbook

Language

en

Duration

~8 hours (471K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Stephen Hutcheson, Charley Howard and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2010-05-04

Rights

Public domain in the USA.

About the author

George P. (George Putnam) Upton

George P. (George Putnam) Upton

1834–1919

A longtime Chicago newspaper editor and music critic, he wrote lively, accessible books that helped everyday readers explore opera, music, and literature. His career stretched from Civil War reporting to decades of shaping Chicago's cultural life.

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