
Produced by Richard Schwarz
DRAMATIS PERSONAE.
SCENE: Spain; and Portugal. - ACTVS PRIMVS.
ACTUS SECUNDUS. - \[ACT II. SCENE 1.\]
\[ACT II. SCENE 2.\]
\[ACT II. SCENE 3.\]
\[ACT II. SCENE 4.\]
ACTUS TERTIUS. - \[ACT III. SCENE 1.\]
\[ACT III. SCENE 4.\]
\[ACT III. SCENE 6.\]
A restless spirit drifts from the underworld, its mournful tale setting the stage for a revenge‑driven drama. The ghost of Don Andrea recounts a love cut short by war and a brutal murder that still echoes in the courts of Spain and Portugal. Guided by a personified Revenge, he beckons the audience toward a world where honor, betrayal and the specter of the dead intertwine, promising a clash of earthly power and supernatural justice.
At the Spanish court, the sudden appearance of the slain knight‑marshall’s son, Horatio, ignites a volatile mix of grief, ambition and suspicion. King, viceroy, dukes, and the doomed Bel‑Imperia each pursue their own tangled motives, while the ghost’s accusation hints at a dangerous conspiracy. As loyalties shift and hidden passions surface, the first act builds a tense, tightly wound tableau that leaves listeners eager to hear how the unfolding vendetta will reshape the fates of all who stand in its path.
Language
en
Duration
~2 hours (124K characters)
Publisher of text edition
Project Gutenberg
Release date
2011-02-19
Rights
Public domain in the USA.
Subjects

1558–1594
Best known for The Spanish Tragedy, this early Elizabethan playwright helped shape the revenge drama that later writers, including Shakespeare, would build on. Though much of his life remains shadowy, his influence on English theater is anything but small.
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