The Shopkeeper Turned Gentleman

audiobook

The Shopkeeper Turned Gentleman

by Molière

EN·~1 hours·3 chapters

Chapters

3 total
1

Produced by Charles Franks, Delphine Lettau and the people at DP.

1:54:54
2

A MUSIC MASTER, ETC. - A DANCING MASTER, ETC. - A FENCING MASTER. - A PROFESSOR OF PHILOSOPHY. - A MASTER TAILOR. - ASSISTANT TAILORS. - TWO LACKEYS. - MRS. JOURDAIN.

0:29
3

THE MUFTI.

0:59

Description

A bustling Parisian household serves as the stage for a sharp‑witted comedy that follows a prosperous shopkeeper who dreams of shedding his middle‑class roots to become a polished gentleman. He hires a cadre of specialists—a music master, a dancing master, a fencing instructor, even a philosophy professor—each eager to profit from his lofty ambitions. Their attempts to teach him the manners of high society quickly reveal his charming cluelessness and the absurd lengths he will go to appear refined.

The opening scenes swirl with rehearsals, serenades, and lively debates among the teachers, all while the shopkeeper’s family and servants navigate their own tangled affections. Young lovers such as Cleonte and Lucile, and the poised marchioness Dorimene, add a gentle undercurrent of romance amid the farcical instruction. Humor springs from the clash between the masters’ artistic pretensions and the patron’s earnest but misguided desire for applause and status.

Listeners will be drawn into the witty repartee and vivid portrait of a society obsessed with appearances. The play’s brisk dialogue and colorful characters set the stage for a delightful exploration of vanity, ambition, and the comedy that arises when a man tries to rewrite his identity with the help of a very eager entourage.

Details

Language

en

Duration

~1 hours (111K characters)

Publisher of text edition

Project Gutenberg

Release date

2005-01-01

Rights

Public domain in the USA.

About the author

Molière

Molière

1622–1673

A master of sharp, funny social satire, this 17th-century French playwright turned hypocrisy, vanity, and self-importance into some of the stage’s most enduring comedies. His plays still feel lively because they aim straight at human weakness with wit instead of lectures.

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