
THE SHAKESPEARE MYTH - By Edwin Durning-Lawrence, - 1912
Original
Original
THE FOLIO OF THE PLAYS, 1623.
Original
BACON SHEWN BY CONTEMPORARY TITLE PAGES TO BE THE AUTHOR OF THE SHAKESPEARE PLAYS.
THE SHAKESPEARE SIGNATURES (SO-CALLED).
BACON SIGNED THE SHAKESPEARE PLAYS.
THE NORTHUMBERLAND MANUSCRIPTS.
BACON AND THE ENGLISH LANGUAGE.
The book takes listeners on a careful tour of the controversies that have surrounded the Shakespeare canon for more than a century. Drawing on early‑century research, it shows how the celebrated First Folio of 1623 is a patchwork of original texts, later revisions, and outright re‑writings. By cataloguing which plays survived in their quarto form, which were substantially improved, and which seem to have been created after the bard’s death, the author reveals the fragile foundations of the traditional story.
Using the meticulous work of bibliographers such as Pollard, Greg and Neidig, the narrative uncovers patterns of false dating and the commercial motives that fed the mythmaking at Stratford’s museum. The analysis extends to the curious case of anonymous publications, the delayed appearance of Shakespeare’s name, and the surprising number of plays that only emerged in print years after 1616. Listeners gain a nuanced understanding of how scholarly detective work can reshape our view of one of literature’s most enduring legends.
Language
en
Duration
~1 hours (66K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Widger from page images generously provided by the Internet Archive
Release date
Nov 22, 2014
Rights
Public domain in the USA.

1837–1914
A British lawyer, politician, and energetic literary controversialist, he is best remembered for championing the idea that Francis Bacon wrote Shakespeare’s plays. His writing offers a lively window into one of the most famous authorship debates of the early 20th century.
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