
THE SHAKESPEARE MYTH - By Edwin Durning-Lawrence, - 1912
Original
Original
THE FOLIO OF THE PLAYS, 1623.
Original
BACON SHEWN BY CONTEMPORARY TITLE PAGES TO BE THE AUTHOR OF THE SHAKESPEARE PLAYS.
THE SHAKESPEARE SIGNATURES (SO-CALLED).
BACON SIGNED THE SHAKESPEARE PLAYS.
THE NORTHUMBERLAND MANUSCRIPTS.
BACON AND THE ENGLISH LANGUAGE.
The book takes listeners on a careful tour of the controversies that have surrounded the Shakespeare canon for more than a century. Drawing on early‑century research, it shows how the celebrated First Folio of 1623 is a patchwork of original texts, later revisions, and outright re‑writings. By cataloguing which plays survived in their quarto form, which were substantially improved, and which seem to have been created after the bard’s death, the author reveals the fragile foundations of the traditional story.
Using the meticulous work of bibliographers such as Pollard, Greg and Neidig, the narrative uncovers patterns of false dating and the commercial motives that fed the mythmaking at Stratford’s museum. The analysis extends to the curious case of anonymous publications, the delayed appearance of Shakespeare’s name, and the surprising number of plays that only emerged in print years after 1616. Listeners gain a nuanced understanding of how scholarly detective work can reshape our view of one of literature’s most enduring legends.
Language
en
Duration
~1 hours (66K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Widger from page images generously provided by the Internet Archive
Release date
2014-11-22
Rights
Public domain in the USA.

1837–1914
Best remembered as one of the most energetic champions of the Baconian theory, he brought legal training, political experience, and real determination to the Shakespeare authorship debate. His books and public arguments helped keep that controversy alive well into the early 20th century.
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