
THE SERVANT IN THE HOUSE - BY - CHARLES RANN KENNEDY - BOOKS BY CHARLES RANN KENNEDY
TO WALTER HAMPDEN
—GEORGE FREDERICK WATTS. - ORIGINAL CAST OF CHARACTERS - IN - THE SERVANT IN THE HOUSE - BY - CHARLES RANN KENNEDY - AS PRESENTED BY - THE HENRY MILLER ASSOCIATE PLAYERS - AT - THE SAVOY THEATRE. NEW YORK - ON MONDAY, MARCH 23, 1906 - A PLAY OF THE PRESENT DAY, IN FIVE ACTS, SCENE INDIVIDABLE SETTING FORTH THE STORY OF ONE MORNING IN THE EARLY SPRING - PERSONS IN THE PLAY
CHARACTERS REPRESENTED
THE SCENE
THE SERVANT IN THE HOUSE - THE FIRST ACT
THE SECOND ACT
THE THIRD ACT
ROBERT. I WANT MY LITTLE KID!
ROBERT. I...
Set in an early‑spring morning inside an English country vicarage, the play opens on a paneled room where oak beams and a bright fire frame a collection of religious art. The house’s servants—a cockney page‑boy and a steady butler—lay the breakfast table as a bishop, the modest vicar, his wife, their niece, and a gentleman of unspecified business enter. The blocked‑off library and ongoing drainage repairs lend a subtle undercurrent of unease to the domestic scene.
Within this confined space the characters’ conversation quickly reveals clashing values: the bishop preaches brotherly love while privately judging his peers, the vicar wrestles with duty and doubt, and the servants observe polite deference masking deeper tensions. A seemingly simple request from the lady of the house soon becomes a moral dilemma that forces each participant to consider what it truly means to serve both fellow humans and a higher calling. Listeners are drawn into a quiet drama of piety strained by pride, suspicion, and the longing for genuine connection.
Language
en
Duration
~2 hours (121K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-04-01
Rights
Public domain in the USA.
Subjects

1871–1950
Best known for writing The Servant in the House, this Anglo-American dramatist built a reputation for plays that mixed social questions, moral conflict, and a strong sense of stagecraft. His path into literature was unusual too: he was largely self-educated and worked in theater from several angles before his plays found a wide audience.
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