The Secrets of a Savoyard

audiobook

The Secrets of a Savoyard

by Henry A. Lytton

EN·~5 hours·18 chapters

Chapters

18 total
1

THE SECRETS OF A SAVOYARD

0:03
2

THE SECRETS OF A SAVOYARD

0:02
3

HENRY A. LYTTON

0:07
4

"THE GONDOLIERS."

1:16
5

FOREWORD.

0:33
6

HENRY A. LYTTON.

7:21
7

THE SECRETS OF A SAVOYARD. - I. YOUTH AND ROMANCE.

19:50
8

II. VAGABONDAGE OF THE COMMONWEALTH.

21:07
9

III. CLIMBING THE LADDER.

24:43
10

IV. LEADERS OF THE SAVOY.

27:02

Description

This memoir invites listeners into the world of a Savoyard whose career spanned the golden age of Gilbert and Sullivan operas. Through candid recollections, the author shows how a chance encounter set him on a path that defined his artistic life and made his blend of wit and vocal skill beloved on the Savoy stage.

Beyond the footlights, the book reveals the man behind the iconic roles—his modesty, relentless self‑critique, and love for the camaraderie of fellow performers. He recounts the small details that mattered to him, from a single inflection of a line to the precise makeup of a character, illustrating his devotion to authenticity. Readers will hear amusing anecdotes that show both his humor and his deep respect for the art form.

The memoir balances personal reflection with lively storytelling, making it a compelling listen for anyone fascinated by musical theatre history. It offers a warm, intimate glimpse of a bygone era without giving away later chapters of his long career.

Details

Language

en

Duration

~5 hours (316K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Moti Ben-Ari, Charlene Taylor and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2012-04-06

Rights

Public domain in the USA.

About the author

Henry A. Lytton

Henry A. Lytton

1865–1936

Best remembered as one of the great comic stars of Gilbert and Sullivan, he spent about fifty years with the D'Oyly Carte Opera Company and became the only performer knighted for work in that tradition. He also wrote memoirs that give a lively first-hand glimpse of stage life in the late Victorian and Edwardian theatre.

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