
The Return of Peter Grimm - NOVELISED FROM THE PLAY - BY - DAVID BELASCO - ILLUSTRATIONS BY JOHN RAE - NEW YORK - GROSSET & DUNLAP - Copyright, 1912
ILLUSTRATIONS
CHAPTER I - A MAN AND A MAID
CHAPTER II - THE HEIR
CHAPTER III - PETER GRIMM HAS A PLAN
CHAPTER IV - A WARNING AND A THEORY
CHAPTER V - A QUEER COMPACT
CHAPTER VI - BREAKING THE NEWS
CHAPTER VII - THE HAND RELAXES
CHAPTER VIII - AFTERWARD
The story opens at a bleak railway junction where a modest crowd disembarks onto a weather‑worn platform. From the nearby sign, Grimm’s Botanical Gardens loom as a promise of colour amidst the dust, and a nervous boy distributes fresh roses and lilies with a rehearsed greeting: “With the compliments of Peter Grimm.” The simple ritual has become a local curiosity, a quiet tribute that seems to reach strangers without explanation. As passengers react with bewilderment, the scene hints at a generous man whose influence lingers far beyond his own garden.
Enter a set of characters drawn together by the garden’s legacy: a skeptical businessman, a kindly mother, and a young clerk poised to inherit a hidden estate. The will of the absent Peter Grimm becomes the catalyst for whispered schemes and uneasy alliances, each suspecting that the benefactor’s presence may be more than charitable. Early conversations reveal a plan to test loyalty and an old promise that could alter lives. The atmosphere is charged with anticipation, suggesting that gratitude, ambition, and perhaps a touch of the uncanny will shape the unfolding drama.
Full title
The Return of Peter Grimm Novelised From the Play Novelised From the Play
Language
en
Duration
~6 hours (352K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Bruce Albrecht, Annie McGuire and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2008-01-18
Rights
Public domain in the USA.

1853–1931
A larger-than-life theater man who helped make the American stage feel startlingly real, he became famous for vivid productions, technical innovation, and a flair for drama both onstage and off. He also brought "Madame Butterfly" to the stage before it became one of opera's best-known stories.
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