The Red Room

audiobook

The Red Room

by August Strindberg

EN·~9 hours·32 chapters

Chapters

32 total
1

BY THE SAME AUTHOR - IN MIDSUMMER DAYS - 5/— nett

0:23
2

CHAPTER I - A BIRD'S-EYE VIEW OF STOCKHOLM

26:23
3

CHAPTER II - BETWEEN BROTHERS

16:30
4

CHAPTER III - THE ARTISTS' COLONY

25:50
5

CHAPTER IV - MASTER AND DOGS

38:11
6

CHAPTER V - AT THE PUBLISHER'S

19:48
7

CHAPTER VI - THE RED ROOM

29:32
8

CHAPTER VII - THE IMITATION OF CHRIST

11:28
9

CHAPTER VIII - POOR MOTHER COUNTRY

23:09
10

CHAPTER IX - BILLS OF EXCHANGE

9:58

Description

A vivid portrait of early May unfolds over Stockholm’s rooftops and gardens, where snowdrops push through last year’s leaves and the city awakens to the clatter of steam cranes, market cries, and gulls. The narrator sweeps through streets, bridges, and harbor, letting the wind carry scents of coal, pine, and sea‑oil, while sparrows and chaffinches busy themselves among discarded remnants of the past. This rich tapestry of nature and industry sets a restless, almost theatrical stage for what follows.

Amid this bustling tableau, a plainly dressed young man emerges from a cramped restaurant, inhaling the fresh air with a mixture of worry and sudden resolve. He walks the garden wall, eyes fixed on the town below, his clenched fist a silent challenge to the world that teems below. The scene hints at an inner struggle that will drive him through the tangled streets and social currents of the city, inviting listeners to explore the tension between personal desire and the relentless hum of urban life.

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Details

Language

en

Duration

~9 hours (556K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Charlene Taylor, Ron Stephens and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2011-08-11

Rights

Public domain in the USA.

About the author

August Strindberg

August Strindberg

1849–1912

A fierce, inventive writer who helped reshape modern drama, he moved from sharp naturalistic plays to dreamlike, psychologically daring work. His books and plays often drew straight from his own turbulent life, which gave them unusual intensity.

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