
THE - POETICAL WORKS - OF - MARK AKENSIDE. - REV. GEORGE GILFILLAN. - THE LIFE OF AKENSIDE.
III. IV. - V.
VIII. IX. - AN EPISTLE TO CURIO. - THE VIRTUOSO. - AMBITION AND CONTENT. A FABLE. - THE POET. A RHAPSODY. - A BRITISH PHILIPPIC. - HYMN TO SCIENCE. - LOVE. AN ELEGY. - TO CORDELIA. - SONG. - AKENSIDE'S POETICAL WORKS. - THE PLEASURES OF IMAGINATION. - A POEM, IN THREE BOOKS.
THE DESIGN.
BOOK I. - ARGUMENT.
BOOK II. - ARGUMENT.
BOOK III. - ARGUMENT.
NOTES
BOOK FIRST. - ENDNOTE A.
ENDNOTE B.
Born into a modest butchers’ family in early‑18th‑century Newcastle, the future poet‑philosopher showed a startling affinity for verse while still a schoolboy. Early publications in the Gentleman's Magazine reveal a youthful ambition that already echoes the political vigor he would later wield, while his schooling under dissenting ministers nurtures a restless intellect. The narrative paints a vivid picture of how a boy from a humble workshop can find inspiration among the clang of cleavers and the pages of a periodical, hinting at the paradoxical blend of grit and grace that fuels his imagination.
As adolescence gives way to adulthood, the story follows his brief plunge into theological studies in Edinburgh, a venture quickly abandoned for the promise of medicine. In the meantime, his precocious poems—among them a fable on ambition and a hymn to science—glimmer with the early brilliance that will culminate in the celebrated “Pleasures of Imagination.” The listener is invited to trace the formative steps of a mind that refuses to be confined by its origins, setting the stage for the larger cultural impact he is destined to make.
Language
en
Duration
~8 hours (466K characters)
Publisher of text edition
Project Gutenberg
Release date
2006-02-01
Rights
Public domain in the USA.
Subjects

1721–1770
An 18th-century English poet and physician, he is best remembered for The Pleasures of Imagination, a work that helped make his literary reputation early in life. His career joined Enlightenment poetry with serious medical study, giving his writing an unusual mix of feeling and intellect.
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